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Film Synopsis. I n the Montparnasse district of Paris in 1919, a young Italian painter, Amedeo Modigliani, struggles to make a living as an artist. He falls in love with Jeanne, the daughter of wealthy parents. Against her parents' wishes, Jeanne moves in with Modigliani, who is suffering from tuberculosis and has a drink problem.
Montparnasse 19 (titlul original: în franceză Les Amants de Montparnasse / Montparnasse 19) este un film de coproducție dramatic franco-italian, realizat în 1958 de regizorul Jacques Becker, după romanul Les Montparnos, de Michel Georges-Michel, protagoniști fiind actorii Gérard Philipe, Lilli Palmer, Anouk Aimée și Lila Kedrova.
Montparnasse 19 remains a divisive film for Becker fans, with some declaring the film unable to escape its compromised origins and overpowered by the aura of its tragic star. Among the film’s admirers is Jean-Luc Godard who singled out Becker’s film as a crucial work about the artistic process. “Montparnasse 19 is a film of
4 feb 2013 · Sinopsis Les amants de Montparnasse (Montparnasse 19) Mai mult Acesta este un film-cheie pentru cinematograful francez al anilor '50, pe care, deși în perioada lansării sale a fost cam luat în râs, cineaștii Noului Val (Nouvelle Vague) l-au considerat de referință.
7 gen 2016 · Montparnasse 19 is a film of fear. In this sense, it might be subtitled ‘the mystery of the film-maker’. For in unwittingly investing Modigliani’s unbalanced mind with his own perturbation, Jacques Becker – clumsily, admittedly, but infinitely movingly – allows us to penetrate the secret of artistic creation […].
27 nov 2017 · Description: Montparnasse 19, a film about the tragic final years in the life of Italian painter and sculptor Amadeo Modigliani, was itself beset by tragedy. Max Ophuls, the famed director of Letter from an Unknown Woman and Le Plaisir, died during its production, leaving his friend Jacques Becker to complete the picture.
Montparnasse 19 è il film della paura. In questo senso lo si potrebbe sottotitolare: ‘il mistero del cineasta’. Infatti incorporando suo malgrado il proprio smarrimento nello spirito sbandato di Modigliani, Jacques Becker ci fa entrare in maniera maldestra, certo, ma quanto commovente, nel segreto della creazione […].
