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  1. My Brother, My Love ( German: Glaubenberg) is a 2018 Swiss drama film directed by Thomas Imbach. The film had its world premiere at the Locarno Film Festival in August 2018. [1] . It received the Zurich Film Prize 2018. Premise. Sixteen-year-old Lena feels more attracted to her brother Noah than is usual among siblings.

    • Glaubenberg
    • Thomas Imbach
  2. Erol Afşin. Mustafa. My Brother, My Love disponibile su Netflix, Prime Video, Disney+, Now TV? Scopri qui come guardare film online!

    • Thomas Imbach
    • 115 min
    • 4
  3. 1 ago 2018 · Un film con Zsofia Körös, Francis Benjamin Meier, Milan Peschel, Bettina Stucky, Morgane Ferru . Cast completo Titolo originale: My Brother, My Love . Genere Drammatico - Svizzera , 2018 , durata 115 minuti. Condividi. Ultimo aggiornamento mercoledì 1 agosto 2018. Lena e il suo amore impossibile.

    • Thomas Imbach
    • Zsofia Körös
  4. 19 ott 2018 · 3K subscribers. 2.9K. 1.2M views 5 years ago #sister #brother #Love. Official trailer with burned-in English subtitles of the feature film MY BROTHER, MY LOVE (THE SECRET OF...

    • 2 min
    • 1,2M
    • OkofilmProductions
  5. 6 ago 2018 · My Brother, My Love: Directed by Thomas Imbach. With Zsofia Körös, Francis Benjamin Meier, Milan Peschel, Bettina Stucky. Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.

    • (115)
    • Drama, Mystery
    • Thomas Imbach
    • 2018-08-06
  6. My Brother, My Love: titolo originale: Glaubenberg: paese: Svizzera: anno: 2018: genere: fiction: regia: Thomas Imbach: durata: 115' sceneggiatura: Thomas Imbach, Arnaud de Cazes: cast: Zsofia Körös, Francis Meier, Nikola Socic, Morgane Ferru, İlayda Akdoğan, Erol Afsin, Bettina Stucky, Milan Peschel: fotografia: Thomas Imbach: montaggio ...

  7. 7 ago 2018 · When Lena decides to openly confess her love to her brother, the rejection is palpable and drives her to find refuge in an unknown world of daydreams and disquieting illusions-allusions. The juxtaposition between reality and onirism, the lawful and the illicit, dominates Imbach's entire film.