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1 giu 2021 · So begins Natasha Trethewey’s latest book, Memorial Drive: A Daughter’s Memoir, which centers around the murder of her mother Gwendolyn Ann Turnbough in 1985, when Natasha was nineteen years old. Months after getting a divorce, after having survived years of his abuse, Gwendolyn was shot by her ex-husband Joel, Natasha’s former stepfather.
A must-read classic.”—Mary Karr, author of The Liar’s Club, Cherry, and Lit. “In Memorial Drive, Natasha Trethewey has transformed unimaginable tragedy into a work of sublimity. There’s sorrow and heartbreak, yes, but also a beautiful portrait of a mother and her daughter’s enduring love.
Natasha Trethewey is a poet who excavates truth from history’s tremors. In Monument, she has assembled a singular New and Selected that not only gathers from her previous five books as well as recent work, but also reveals the arc of her poems as a poignant and compelling new narrative. The collection illuminates her far-reaching range while ...
Natasha Trethewey was born in Gulfport, Mississippi, on April 26, 1966. She served two terms as the 19th Poet Laureate of the United States (2012-2014), and is the author of five collections of poetry, a book of nonfiction, and a memoir.
18 lug 2022 · Natasha Trethewey. William B. Hart Poet in Residence. 23 maggio–18 luglio 2022. Professione. Poet, Evanston, Illinois. Board of Trustees Professor of English, Department of English, Northwestern University. Biografia. Sebbene sia dal 2017 Board of Trustees Professor of English alla Northwestern University, le radici di Natasha Trethewey ...
8 giu 2021 · Natasha Trethewey is an outstanding poet/historian in the mold of Robert Penn Warren, our first Poet Laureate Consultant in Poetry. Her poems dig beneath the surface of history—personal or communal, from childhood or from a century ago—to explore the human struggles that we all face.
By Natasha Trethewey. In the portrait of Jefferson that hangs. at Monticello, he is rendered two-toned: his forehead white with illumination —. a lit bulb — the rest of his face in shadow, darkened as if the artist meant to contrast. his bright knowledge, its dark subtext. By 1805, when Jefferson sat for the portrait,
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