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2 giorni fa · Even more so than his filmic roles of the 80s and beyond, his appearance in Nicolas Roeg’s arthouse sci-fi classic felt strategically aligned with the otherworldly persona he’d spent the better half of a decade cultivating. Depending on how one looks at it, The Man Who Fell to Earth could even be regarded as the one true “David Bowie film.”
5 apr 2024 · Britain’s greatest arthouse filmmaker, Nicolas Roeg, has died aged 90. Born in London in 1928, he began his career in 1947 as a humble tea-boy at Marylebone Studios. By the 1960s, he was cinematographer for Lawrence of Arabia, Fahrenheit 451 and Far From the Madding Crowd.
19 apr 2024 · This chapter reflects on the ways in which the reputation of the British film director Nicolas Roeg has developed from the 1970s through to the twenty-first century, and considers how this might tell us interesting things about the discursive and cultural frameworks that shape particular films (and the critical reception of them ...
- Paul Newland
- Central Services > Directorate
- 2019
- Book Section
7 ore fa · Colonial Mud. 1. The mountains are covered in wet, green leaves. The Colonial Set owns it all, the wetness and the green and the refreshing black tea; they brew it for people like me, who write about their absurdities in the society pages. When the new Commissioner came to Nairobi on a black swan’s back, and tried to teach the Masai cricket ...
18 apr 2024 · Les Sorcières. The Witches. 1990. 1.4K. 734. 67. 6.3. Ma note. Écrire une critique. Vu. Envie de le voir. En cours. Coup de cœur. Ajouter à une liste. Film de Nicolas Roeg · 1 h 31 min · 8 décembre 2011 (France) Genres : Fantastique, Épouvante-Horreur. Groupe : The Witches. Pays d'origine : Royaume-Uni, États-Unis. Fiche technique.
- (1,4K)
- Nicolas Roeg
- Titiro
- Anjelica Huston
3 apr 2024 · Meditating on the consequences of grief and the effect of the death of a child on a couple's relationship, this visually striking arthouse psychological thriller by Nicolas Roeg is guaranteed...
6 giorni fa · The stellar line-up included Nicolas Roeg, Ken Russell, Robert Altman and Jean-Luc Godard. As well as providing insight into his working relationship with these giants of world cinema, Don reflects on the enduring legacy of Aria and discusses some of the contemporary directors he would approach were he making a modern opera film.
