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Nikolay Punin. Nikolay Nikolayevich Punin (Russian: Никола́й Никола́евич Пу́нин; November 28 [ O.S. December 11] 1888 – August 21, 1953) was a Russian art scholar and writer. He edited several magazines, such as Izobrazitelnoye Iskusstvo among others, and was also co-founder of the Department of Iconography in the State Russian Museum.
- Irina
- Anna Arens (1917–?)
- Scholar, writer
- Diaries
14 dic 2021 · Pietrogrado 1917 di Nikolaj Punin (1888-1953) è un volume pubblicato dalla casa editrice Guerini e Associati nell’ottobre del 2020, all’interno della collana “Narrare la memoria”, a cui appartengono Inseparabili. Due gemelli nel Caucaso di Anatolij Pristavskin e Leningrado. Memorie di un assedio di Lidja Ginzburg.
Download. Nikolay Nikolayevich Punin [Николай Николаевич Пунин; 28 November 1888–21 August 1953) was a Russian art scholar and writer. He edited several periodicals, such as Iskusstvo kommuny, and was also co-founder of the Department of Iconography in the State Russian Museum.
Quick Reference. (1888–1953) Russian art critic. From 1918 to 1921 he was active in the organization of Narkompros and in 1921 he was one of the founders of the Petrograd (St Petersburg) section of Inkhuk. During the 1920s he was one of the most widely read of Russian writers on art.
Overview. Critic, theorist, museum official, and historian of Russian art. Punin studied history at St. Petersburg University. He worked in the Department of Old Russian Painting at the State Russian Museum in St. Petersburg, where he edited the arts articles in several publications, including Severnyye zapiski, and Russkaia ikuna.
1 nov 1999 · 1904-1953. by Nikolay Punin. Edited by Sidney Monas. Contributions by Jennifer Greene Krupala. 323 Pages, 6.00 x 9.00 in. Series: Harry Ransom Humanities Research Center Imprint Series. Sales Date: November 1, 1999. EPUB. 9780292787858 : July 2010.
Nikolai Punin (1888–1953) still remains an enigma both in Russia and the west, perceived by many as a ‘red commissar’, being the right hand of Anatoly Lunacharsky.1 Punin’s role in defining post-revolutionary art and his support for avant-garde artists (especially the Futurists) are much better known than his contribution to the ...
