Yahoo Italia Ricerca nel Web

Risultati di ricerca

  1. 4 giorni fa · Orson Welles' Iconic Thriller 'The Lady from Shanghai' Comes to 4K UHD July 23rd ... and remarkable camerawork all contribute to this spellbinding, time-honored film noir written, directed by, ...

  2. 5 giorni fa · Orson Welles' 1948 classic The Lady From Shanghai is making a trip to 4K Ultra HD. Welles plays an an Irish fisherman who finds himself drawn into a complicated plot of sex, lies, and murder when he's hired to work on a yacht owned by a disabled businessman (Everett Sloane) and his stunning younger wife….

  3. 3 giorni fa · Kino Lorber Studio Classics has unveiled the details of their June 2024 4K UHD and Blu-Ray releases including works from such icons as Ang Lee, Heath Ledger, Jake Gyllenhaal, Anne Hathaway, Burt Reynolds, Gene Hackman, Orson Welles, Jeff Bridges, Tommy Lee Jones, and more.

  4. 1 giorno fa · 1942: The Magnificent Ambersons (Orson Welles) 1943: Shadow of a Doubt (Alfred Hitchcock) 1944: Double Indemnity (Billy Wilder) 1945: Les dames du bois de Boulogne (Robert Bresson) 1946: The Best Years of Our Lives (William Wyler) 1947: Out of the Past (Jacques Tourneur) 1948: Letter from an Unknown Woman (Max Ophuls) 1949: Jour de fete ...

  5. animationobsessive.substack.com › p › setting-the-stage-for-mulanSetting the Stage for 'Mulan'

    2 giorni fa · On a page created early in the process, we find six core rules for setting up shots in Mulan. Although Bacher made slight changes to the list later, these rules still informed the final artwork in the film: Balance between busy and quiet. Balance between straight and curved.

  6. 1 giorno fa · Schabus specifically references Orson Welles’s film ‘The Third Man’ (1949). While observing, references to Korean and Japanese cinema such as ‘The Host’, ‘Oldboy’, and the spiritual ambiance of Kim Ki-Duk with his pragmatic absences, or ‘Castaway on the Moon’, come to mind.

  7. 1 giorno fa · When the Light Breaks. The depiction of grief in films is as variable as film form. It can be outwardly melodramatic like in Krzysztof Kieślowski’s Three Colors: Blue (1993), recklessly self-destructive as in Lars Von Trier’s Antichrist (2009), or soul-cleansingly spiritual (see Terrence Malick’s 2011 film, The Tree of Life).