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Lady Ottoline Violet Anne Morrell (16 June 1873 – 21 April 1938) was an English aristocrat and society hostess. Her patronage was influential in artistic and intellectual circles, where she befriended writers including Aldous Huxley , Siegfried Sassoon , T. S. Eliot and D. H. Lawrence , and artists including Mark Gertler , Dora ...
- 21 April 1938 (aged 64), London, England
- Somerville College, Oxford
- British
Lady Ottoline Violet Anne Cavendish-Bentinck (coniugata Morrell) (East Court, 16 giugno 1873 – Royal Tunbridge Wells, 21 aprile 1938) è stata una nobildonna britannica. Amica del gruppo di intellettuali e artisti inglesi che avevano creato il Bloomsbury Group , lasciò un segno tangibile nella vita sociale e culturale tra la fine ...
- Cavendish-Bentinck
- Chiesa di St. Mary, Garsington Manor
17 apr 2024 · Lady Ottoline Morrell was a hostess and patron of the arts who brought together some of the most important writers and artists of her day. A woman of marked individuality and discernment, she was often the first to recognize a talent and assist its possessor—although not a few such relationships.
- The Editors of Encyclopaedia Britannica
Lady Ottoline Morrell. (1873-1938), Patron of the arts; half-sister of 6th Duke of Portland; wife of Philip Edward Morrell. Sitter associated with 600 portraits. Artist associated with 1716 portraits. Patron and society hostess. After travelling widely as a young woman, in 1902 Ottoline married Philip Morrell, a solicitor and later Liberal MP.
Morrell, Ottoline (1873–1938) English patron of the arts, salonnière, antiwar activist, and memoirist.Name variations: Lady Ottoline Morrell. Born Ottoline Violet Anne Cavendish-Bentinck on June 16, 1873, in London, England; died on April 21, 1938, in London; only daughter and youngest child of Lt.-General Arthur Bentinck and Augusta Mary ...
Lady Ottoline Morrell (1873-1938), Patron of the arts; half-sister of 6th Duke of Portland; wife of Philip Edward Morrell. Sitter associated with 600 portraits, Artist or producer associated with 1716 portraits.
In the early years of the 20th century, Lady Ottoline Morrell gathered around herself a peculiarly English coterie of avant-garde painters, writers and philosophers we know as the Bloomsbury Group. Its central precept was a rejection of bourgeois habit and the conventions of Victorian life.
