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11 giu 2014 · With Isabelle Huppert, Jean-Pierre Darroussin, Michael Nyqvist, Pio Marmaï. Brigitte and Xavier let routine and weariness set in after their children leave their cattle farm. When Brigitte is wooed by a young man, she takes a trip to Paris to see him, but things do not go according to plan.
- (1K)
- 2 min
- Marc Fitoussi
Scheda film Paris Follies (2014) | Leggi la recensione, trama, cast completo, critica e guarda trailer, foto, immagini, poster e locandina del film diretto da Marc Fitoussi con Isabelle Huppert, Jean-Pierre Darroussin, Michael Nyqvist, Pio Marmaï
- (4)
- Isabelle Huppert
- Marc Fitoussi
Paris Follies (French: La Ritournelle) is a 2014 French comedy film written and directed by Marc Fitoussi. It stars Isabelle Huppert, Jean-Pierre Darroussin and Michael Nyqvist. It competed in the main competition section of the 36th Moscow International Film Festival.
- $5 million
- Marc Fitoussi
Assecondato dall’indovinato accoppiamento Isabelle Huppert/Jean-Pierre Darroussin, Marc Fitoussi realizza un film movimentato anche se intimista, parla di emozioni forti e di dubbi, non alza mai la voce e affida al talento dei suoi attori il compito di suscitare nello spettatore una sincera empatia.
Paris Follies is a film directed by Marc Fitoussi with Isabelle Huppert, Jean-Pierre Darroussin, Michael Nyqvist, Anaïs Demoustier .... Year: 2014. Original title: La ritournelle. Synopsis: Brigitte and Xavier are a couple of cattle farmers living and working together in Normandy.
- (597)
- France
- Agnès Godard
- Marc Fitoussi
PARIS FOLLIES. by Marc Fitoussi. synopsis. Brigitte and Xavier farm cattle in Normandy. Brigitte's a dreamer, with her head in the clouds, whereas Xavier's feet are firmly on the ground and his main focus is his work. Now that their children have left home, the couple's routine life increasingly weighs Brigitte down.
Film Review. M arital infidelity is hardly virgin territory in French cinema but director Marc Fitoussi somehow manages to give this most well-trodden of subjects a novel spin in this disarmingly astute comedy-drama, his fourth and most conventional film to date.
