Risultati di ricerca
8 apr 2024 · 08/04/2024. Share. Rachel Portman is the first female composer to win an Academy award for her original score for 'Emma'. Rachel Portman was born in West Sussex, England. She began composing at the age of 14 and read music at Oxford University. Whilst there she wrote music for student film and theatre productions.
14 apr 2024 · The female composers nominated for multiple Scoring Oscars are Rachel Portman, who was nominated for Emma (1996) (for which she won for Best Musical or Comedy Score), The Cider House Rules (1999), and Chocolat (2000); and Angela Morley, who was nominated twice in the Original Song Score or Adaptation Score category for The Little ...
- February 27, 1935; 88 years ago
- Alfred Newman (9)
29 mar 2024 · On saturday October 14th 2023 Rachel Portman is the special guest on the BBC 3 radio show 'Sound of Cinema', broadcast at 15:00 UTC. In this edition of Sound of Cinema, Rachel Portman is the programme’s special guest alongside the BBC Philharmonic Orchestra conducted by Ben Palmer, in a concert given at the orchestra’s Salford studio foregrounding some of Rachel’s best loved film scores.
29 mar 2024 · Rachel Portman and Jon Ehrlich co-composed "We Were the Lucky Ones," a Hulu adaptation of a novel of a family’s fight to survive the Holocaust. ‘We Were the Lucky Ones’ Co-Composers Rachel ...
29 mar 2024 · Biography. Booklet. For his new album on Sony Classical, the violinist Niklas Liepe, together with the Oscar-winning composer Rachel Portman, has created an urgent musical appeal to preserve creation: "Tipping Points" is a film music-like, six-part suite for violin and orchestra. ...
29 mar 2024 · “Tipping Points” is a plea for the preservation of nature’s beauty. The work was commissioned by Niklas Liepe, the WDR Funkhausorchester, Norrlandsoperans Sy...
- 10 min
- 16,3K
- Niklas Liepe
29 mar 2024 · Rachel Portman and Jon Ehrlich, co-composers for Hulu’s “We Were the Lucky Ones,” collaborated seamlessly despite having met in person only once, working across continents to score the series. Ehrlich expressed that the distance between them was one of the highlights of their collaboration, describing their process as a continual exchange of creative energy.
