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  1. 1 gen 1992 · by Pauline Kael (Author) 14. See all formats and editions. Reeling is Pauline Kael's fifth collection of movie reviews, covering the years 1972 through 1975. First published in 1976 by Little Brown, the book is largely composed of movie reviews, ranging from her famous review of Last Tango in Paris to her review of A Woman Under the ...

    • (14)
    • Pauline Kael
  2. 1 gen 1976 · 4.37. 183 ratings10 reviews. Reeling is Pauline Kael's fifth collection of movie reviews, covering the years 1972 through 1975. First published in 1976 by Little Brown, the book is largely composed of movie reviews, ranging from her famous review of Last Tango in Paris to her review of A Woman Under the Influence, but it also ...

    • (183)
    • Hardcover
    • Pauline Kael
  3. Paperback – 9 Jan. 1977. by Pauline Kael (Author) 4.4 13 ratings. See all formats and editions. Film writings from 1972-1975, by Pauline Kael, the only film critic ever to have won the US National Book Award in Arts and Letters. The collection includes the long, prophetic, analytic essay 'On the Future of Movies' that proved contentious in ...

    • (13)
    • Pauline Kael
  4. Reeling: Film Writings 1972-1975 - Softcover. Kael, Pauline. 4.37. 183 ratings by Goodreads. Softcover. ISBN 10: 0714525820 ISBN 13: 9780714525822. Publisher: Marion Boyars Publishers Ltd, 1992. View all copies of this ISBN edition: About this edition. Publisher Marion Boyars Publishers Ltd. Publication date 1992. ISBN 10 0714525820.

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  5. Film writings from 1972-1975, by Pauline Kael, the only film critic ever to have won the US National Book Award in Arts and Letters. The collection includes the long, prophetic, analytic essay 'On the Future of Movies' that proved contentious in its criticism of the Hollywood system, which Kael thought debased its audience and ignored its artists.

  6. Reeling: Film Writings 1972-1975 by Kael, Pauline and a great selection of related books, art and collectibles available now at AbeBooks.co.uk.

  7. 4/5: No one quite does it like Pauline Kael. After reading through somewhere in the range of two hundred reviews and essays in this book, I came away thinking that for better or worse this is a true critic. Whether she liked a film or not (and she rarely had nothing negative to say), her ability to break a movie down to its spare parts and contextualise it as part of a larger movement is ...

    • Oliver Mangham