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The Renaissance (UK: / r ə ˈ n eɪ s ən s / rən-AY-sənss, US: / ˈ r ɛ n ə s ɑː n s / ⓘ REN-ə-sahnss) is a period in history and a cultural movement marking the transition from the Middle Ages to modernity, covering the 15th and 16th centuries and characterized by an effort to revive and surpass the ideas and achievements ...
- Overview
- Origins and rise of humanism
- Artistic developments and the emergence of Florence
Renaissance is a French word meaning “rebirth.” It refers to a period in European civilization that was marked by a revival of Classical learning and wisdom. The Renaissance saw many contributions to different fields, including new scientific laws, new forms of art and architecture, and new religious and political ideas.
When did the Renaissance happen?
There is some debate over when exactly the Renaissance began. However, it is generally believed to have begun in Italy during the 14th century, after the end of the Middle Ages, and it reached its height there between the 1490s and the 1520s, a period referred to as the High Renaissance. Renaissance ideas and ways of thinking also began spreading to the rest of Europe in the 14th and 15th centuries. The Renaissance as a unified historical period ended in Italy with the fall of Rome in 1527, and it was eclipsed by the Reformation and Counter-Reformation elsewhere in Europe by the end of the 16th century.
Who are some important people of the Renaissance?
Prominent figures of the Renaissance, understood as a broadly European era, include philosopher and statesman Niccolò Machiavelli, known for the political treatise The Prince; Francis Bacon, a statesman and philosopher considered the master of the English tongue; the astronomer Nicolaus Copernicus, who developed the theory that the solar system was centred on the Sun; the poets Petrarch and Giovanni Boccaccio, who laid the foundations for humanism, the mode of thought at the core of the Renaissance; William Shakespeare, considered the greatest English dramatist of all time; astronomer and mathematician Galileo, who helped disprove much medieval-era thinking in science; and the explorers Christopher Columbus, Ferdinand Magellan, and Hernán Cortés.
What is Renaissance art?
The term Middle Ages was coined by scholars in the 15th century to designate the interval between the downfall of the Classical world of Greece and Rome and its rediscovery at the beginning of their own century, a revival in which they felt they were participating. Indeed, the notion of a long period of cultural darkness had been expressed by Petrarch even earlier. Events at the end of the Middle Ages, particularly beginning in the 12th century, set in motion a series of social, political, and intellectual transformations that culminated in the Renaissance. These included the increasing failure of the Roman Catholic Church and the Holy Roman Empire to provide a stable and unifying framework for the organization of spiritual and material life, the rise in importance of city-states and national monarchies, the development of national languages, and the breakup of the old feudal structures.
While the spirit of the Renaissance ultimately took many forms, it was expressed earliest by the intellectual movement called humanism. Humanism was initiated by secular men of letters rather than by the scholar-clerics who had dominated medieval intellectual life and had developed the Scholastic philosophy. Humanism began and achieved fruition first in Italy. Its predecessors were men like Dante and Petrarch, and its chief protagonists included Giannozzo Manetti, Leonardo Bruni, Marsilio Ficino, Giovanni Pico della Mirandola, Lorenzo Valla, and Coluccio Salutati. The fall of Constantinople in 1453 provided humanism with a major boost, for many eastern scholars fled to Italy, bringing with them important books and manuscripts and a tradition of Greek scholarship.
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Humanism had several significant features. First, it took human nature in all of its various manifestations and achievements as its subject. Second, it stressed the unity and compatibility of the truth found in all philosophical and theological schools and systems, a doctrine known as syncretism. Third, it emphasized the dignity of humankind. In place of the medieval ideal of a life of penance as the highest and noblest form of human activity, the humanists looked to the struggle of creation and the attempt to exert mastery over nature. Finally, humanism looked forward to a rebirth of a lost human spirit and wisdom. In the course of striving to recover it, however, the humanists assisted in the consolidation of a new spiritual and intellectual outlook and in the development of a new body of knowledge. The effect of humanism was to help men break free from the mental strictures imposed by religious orthodoxy, to inspire free inquiry and criticism, and to inspire a new confidence in the possibilities of human thought and creations.
From Italy the new humanist spirit and the Renaissance it engendered spread north to all parts of Europe, aided by the invention of the mechanized printing press, which allowed literacy and the availability of Classical texts to grow explosively. Foremost among northern humanists was Desiderius Erasmus, whose Praise of Folly (1509) epitomized the moral essence of humanism in its insistence on heartfelt goodness as opposed to formalistic piety. The intellectual stimulation provided by humanists helped spark the Reformation, from which, however, many humanists, including Erasmus, recoiled. By the end of the 16th century the battle of Reformation and Counter-Reformation had commanded much of Europe’s energy and attention, while the intellectual life was poised on the brink of the Enlightenment.
It was in art that the spirit of the Renaissance achieved its sharpest formulation. Art came to be seen as a branch of knowledge, valuable in its own right and capable of providing people with images of God and his creations as well as with insights into humankind’s position in the universe. In the hands of men such as Leonardo da Vinci it was even a science, a means for exploring nature and a record of discoveries. Art was to be based on the observation of the visible world and practiced according to mathematical principles of balance, harmony, and perspective, which were developed at this time. In the works of painters such as Masaccio, the brothers Pietro and Ambrogio Lorenzetti, Fra Angelico, Sandro Botticelli, Perugino, Piero della Francesca, Raphael, and Titian; sculptors such as Giovanni Pisano, Donatello, Andrea del Verrocchio, Lorenzo Ghiberti, and Michelangelo; and architects such as Leon Battista Alberti, Filippo Brunelleschi, Andrea Palladio, Michelozzo, and Filarete, the dignity of humanity found expression in the arts.
In Italy the Renaissance proper was preceded by an important “proto-renaissance” in the late 13th and early 14th centuries, which drew inspiration from Franciscan radicalism. St. Francis of Assisi had rejected the formal Scholasticism of the prevailing Christian theology and gone out among the poor praising the beauties and spiritual value of nature. His example inspired Italian artists and poets to take pleasure in the world around them. The work of the most famous artist of the proto-renaissance period, Giotto (1266/67 or 1276–1337), reveals a new pictorial style that depends on clear, simple structure and great psychological penetration rather than on the flat, linear decorativeness and hierarchical compositions of his predecessors and contemporaries, such as the Florentine painter Cimabue and the Siennese painters Duccio and Simone Martini. The great poet Dante lived at about the same time as Giotto, and his poetry shows a similar concern with inward experience and the subtle shades and variations of human nature. Although his Divine Comedy belongs to the Middle Ages in its plan and ideas, its subjective spirit and power of expression look forward to the Renaissance. Petrarch and Giovanni Boccaccio also belong to this proto-renaissance period, both through their extensive studies of Latin literature and through their writings in the vernacular. Unfortunately, the terrible plague of 1348 (known as the Black Death) and subsequent civil wars submerged both the revival of humanistic studies and the growing interest in individualism and naturalism revealed in the works of Giotto and Dante. The spirit of the Renaissance did not surface again until the 15th century.
In 1401−02 the goldsmith and painter Lorenzo Ghiberti won a competition held at Florence and was awarded the commission for bronze doors to be placed on the baptistery of San Giovanni. According to traditional accounts, Filippo Brunelleschi, who was among Ghiberti’s competitors, and his friend Donatello left for Rome soon after; there they immersed themselves in the study of ancient architecture and sculpture. When they returned to Florence and began to put their knowledge into practice, the rationalized art of the ancient world was reborn. The founder of Renaissance painting was Masaccio (1401–28). The intellectuality of his conceptions, the monumentality of his compositions, and the high degree of naturalism in his works mark Masaccio as a pivotal figure in Renaissance painting. The succeeding generation of artists—Piero della Francesca, the Pollaiuolo brothers, and Andrea del Verrocchio—pressed forward with researches into linear and aerial perspective and anatomy, developing a style of scientific naturalism.
The situation in Florence was uniquely favourable to the arts. The civic pride of Florentines found expression in statues of the patron saints commissioned from Ghiberti and Donatello for niches in the grain-market guildhall known as Or San Michele, and in the largest dome built since antiquity, placed by Brunelleschi on the Duomo. The cost of construction and decoration of palaces, churches, and monasteries was underwritten by wealthy merchant families, chief among whom were the Medici family.
- The Editors of Encyclopaedia Britannica
4 apr 2018 · While many scholars view the Renaissance as a unique and exciting time in European history, others argue that the period wasn’t much different from the Middle Ages and that both eras overlapped...
Il Rinascimento fu un periodo storico che si sviluppò in Italia tra la fine del Medioevo e l'inizio dell'Età Moderna in un arco di tempo che va dalla metà del quindicesimo secolo, fino alla fine del sedicesimo secolo. I suoi limiti cronologici conoscono ampie differenze tra discipline ed aree geografiche. Vissuto dalla maggior ...
The Italian Renaissance ( Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity.
11 mar 2024 · Renaissance art, painting, sculpture, architecture, music, and literature produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man.
The Renaissance was a period in European history when new ideas about art and science were developed and when new technologies, such as paper and gunpowder, were widely adopted. It began in Italy during the 14th century, and it marked the end of the Middle Ages. The Renaissance’s influence spread.
