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  1. en.wikipedia.org › wiki › Roger_MooreRoger Moore - Wikipedia

    5 giorni fa · While there, Moore attracted an off-camera female fan following, and Hurst decided to pay Moore's fees at the Royal Academy of Dramatic Art. Moore spent three terms at RADA, where he was a classmate of his future Bond co-star Lois Maxwell, the original Miss Moneypenny.

  2. 17 apr 2024 · Royal National Theatre, a partly subsidized complex of British theatre companies that was formed in 1962. It was given a permanent home at the South Bank arts complex in the Greater London borough of Lambeth in 1976.

    • The Editors of Encyclopaedia Britannica
  3. 1 mag 2024 · Gielgud, a member of the theatrical dynasty the Terry family, began working on stage in 1921 before attending the Royal Academy of Dramatic Art. After completing his studies he worked in repertory theatre and in the West End before establishing himself at the Old Vic in the 1930s.

  4. 2 mag 2024 · As a child, she acted in a model theatre built by her father, and she entered the Royal Academy of Dramatic Art at age 13. After her film debut in Her First Affaire (1932), she appeared in several inconsequential roles before being cast as a vengeful prostitute in The Light That Failed (1939).

    • Michael Barson
  5. 30 apr 2024 · Trained at the Royal Academy of Dramatic Art, Fiennes joined London’s National Theatre in 1987 and the Royal Shakespeare Company in 1989. His television performance in A Dangerous Man: Lawrence After Arabia (1991) led to his film debut in Wuthering Heights (1992).

  6. 28 apr 2024 · Experience a powerful exploration of art from 1768 to now. Featuring a room of life-sized cut-out painted figures by Lubaina Himid, an immersive video installation by Isaac Julien, a giant flotilla of model boats by Hew Locke, and a major new sculpture in the Courtyard by Tavares Strachan.

  7. en.wikipedia.org › wiki › RembrandtRembrandt - Wikipedia

    3 giorni fa · During his early years in Amsterdam (1632–1636), Rembrandt began to paint dramatic biblical and mythological scenes in high contrast and of large format (The Blinding of Samson, 1636, Belshazzar's Feast, c. 1635 Danaë, 1636 but reworked later), seeking to emulate the baroque style of Rubens.