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  1. Charles Marion Russell, noto anche come C. M. Russell, Charlie Russell o "Kid" Russell (Saint Louis, 19 marzo 1864 – Great Falls, 24 ottobre 1926), è stato un artista del vecchio West. Russell creò oltre 2000 dipinti di cowboy, indiani e paesaggi degli Stati Uniti d'America occidentali e dell' Alberta (Canada) oltre a sculture in bronzo.

  2. Russell Lewis as John, the little boy; Peggy Ann Clifford as the medium; Adam Bridge as David, Robert and Claire's son; Production. The film was shot on location in Hertfordshire, England and at EMI-MGM Elstree Studios. The final scene takes place by the bridge at Tykes Water at the Aldenham Reservoir. [citation needed] Music

  3. Russell Russell. Russell Russell, pseudonimo di Russell Spellman ( New York, 22 settembre 1960 ), è un ballerino, cantante e coreografo statunitense [1] che vive e lavora in Italia [2] .

  4. Charles Marion Russell (March 19, 1864 – October 24, 1926), also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an American artist of the American Old West. He created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United States and in Alberta, Canada , in addition to bronze sculptures.

  5. William Russell Enoch trat in den 1950er Jahren in einigen Film- und Fernsehproduktionen auf. So war er unter anderem in den Fernsehserien St. Ives, The Adventures of Sir Lancelot, Tales from Dickens und Nicholas Nickleby zu sehen. [1] Im Kino spielte er unter anderem Nebenrollen in den Kriegsfilmen Der Mann, den es nie gab und Gesprengte Ketten.

  6. Etheline Lewis. . ( m. 1984) . Children. 4, including Alfred Enoch. William Russell Enoch (born 19 November 1924) is an English actor. He achieved prominence when he took the title role in the ITV television series The Adventures of Sir Lancelot (1956–1957). In 1963, he became part of the original lead cast of BBC1 's Doctor Who, playing the ...

  7. Bill Russell brought his portable recorder and they recorded "Burgundy Street Blues", improvised blues song that was to become the Lewis signature piece. As Russell recorded Lewis, he occasionally gave new titles to interpretations of pop tunes, such as "New Orleans Hula" for "Hula Lou". These changes may have been made for copyright reasons ...