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2 giorni fa · The Mist (also known as Stephen King's The Mist) is a 2007 American science-fiction horror film based on the 1980 novella The Mist by Stephen King. The film was written, directed and co-produced by Frank Darabont. Darabont had been interested in adapting The Mist for the big screen since the 1980s. The film features an ensemble cast, including ...
- $57.3 million
- November 21, 2007
- $18 million
- Mark Isham
3 giorni fa · Begotten is a 1989 American experimental silent horror film [6] written, directed, and produced by E. Elias Merhige. It stars Brian Salsberg, Donna Dempsy, Stephen Charles Barry, and members of Merhige's theatre company, Theatreofmaterial.
- $33,000 (estimated)
- E. Elias Merhige
- Evan Albam
- E. Elias Merhige
1 giorno fa · Sono passati ben cinque anni dall'annuncio di Senua's Saga Hellblade 2 ma, finalmente, dopo trailer poco chiari e immagini fine a se stesse, il seguito di Hellblade: Senua's Sacrifice è ...
5 giorni fa · Vote up the sauciest Satanic rituals in cinema. If there’s one thing you can count on in horror movies about Satan, it’s a scene in which a character is thrust into a Satanic ritual, or at the very least some people sit in a circle and talk about power.
1 giorno fa · Sono arrivato alla fine di Senua's Saga: Hellblade II dopo poco più di cinque ore di gioco con molti dubbi e interrogativi.Il primo è se fosse davvero tutto qui un titolo in sviluppo da cinque anni, a cui hanno lavorato circa 80 sviluppatori (quattro volte tanto il team di Ninja Theory che, nel 2017, realizzò Hellblade: Senua's Sacrifice) e che, almeno in teoria, dovrebbe essere l ...
1 giorno fa · Produced by Glenn Powell (“Top Gun”) and J.J. Abrams, “Blue Angels” features plenty of stunning aerial sequences, offering first-person perspectives from the pilots as they fly in close formation at high speeds. Through voiceovers and interviews, the pilots share their experiences, analyzing their performances in slow motion to perfect ...
2 giorni fa · What is being played in dim cinema theaters (or – these days – on fast-paced streaming services) has changed just as much as the reality of filmmakers, critics, and film stars.
