Risultati di ricerca
3 dic 2021 · Samba in Seattle: Live at the Penthouse 1966-1968 by Bola Sete released in 2021. Find album reviews, track lists, credits, awards and more at AllMu...
- (17)
19 ott 2021 · Released. 2020 — US. CD —. Remastered. View credits, reviews, tracks and shop for the 2021 CD release of "Samba In Seattle: Live At The Penthouse (1966-1968)" on Discogs.
11 nov 2021 · Samba in Seattle: Live at the Penthouse, 1966-1968 is the first official release of the legendary and influential Brazilian acoustic guitarist Bola Sete's live recordings at the Penthouse jazz club in Seattle, WA featuring bassist Sebastião Neto and drummer Paulinho Magalhães.
3 dic 2021 · Bola Sete - Samba in Seattle : Live at the Penthouse, 1966-1968 is the first official release of the legendary and influential Brazilian acoustic guitarist BOLA SETE's live recordings at the Penthouse jazz club in Seattle, WA featuring bassist SEBASTIÃO NETO and drummer PAULINHO MAGALHÃES.
15 nov 2021 · Samba in Seattle: Live at the Penthouse, 1966-1968. buy album. Bola Sete. Label: Tompkins Square. Released: 2021. Views: 1,478. Tracks. Disc One (December 1 & 8, 1966) 1. Consolação – Baden Powell, Vinicius de Moraes 2. Meditação – Antônio Carlos Jobim, Newton Ferreira de Mendonça 3. Prelude No. 1 – Heitor Villa-Lobos 4. Soul Samba – Bola Sete 5.
19 ott 2021 · Samba in Seattle is the first official release of legendary Brazilian guitarist Bola Sete's live recordings at the Penthouse in Seattle, WA (1966-68). Produced by Zev Feldman, and mastered from the original tape reels, this Deluxe 3 CD set includes a 40-page booklet with rare photos, an essay by music critic Greg Casseus, and words by guitar ...
- (26)
8 feb 2022 · Remarkable ‘Samba in Seattle: Live at the Penthouse 1966–68’ from Bola Sete Trio Showcases Classical Guitar Influences. Playing nylon-string, Bola Sete was a masterful improviser and technician, with influences that ranged from Django Reinhardt to João Gilberto to Andres Segovia. Blair Jackson. February 8, 2022. March-April 2022.
