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The eyes of Sandro Kopp are accumulations of highly specific but anonymous intimacy… Like a star in the night sky, the human eye has something inherently indefinable to it, a sense of infinite depth… unfathomable complexity.” Sandro Kopp, born in 1978, is of German and New Zealand descent. He has been residing in Scotland since 2006.
19 apr 2021 · The eyes of Sandro Kopp are accumulations of highly specific but anonymous intimacy. Painted on small panels in sittings of several hours in cafes, palaces and gardens, they reveal both defiance and vulnerability, sometimes in the same person. Kopp paints people that he knows, with whom there exists at least a certain familiarity.
13 ott 2013 · The painter responsible is Sandro Kopp, who, for the past months, has been working on a series of portraits of passionately loved soft toys of childhood. It began with the illness of a family member.
Ultima partita di Sandro Kopp . La partita precedente di Sandro Kopp è stata contro Skatov T. in Zadar, Croatia, la partita è terminata con il risultato di 1 - 2 (Skatov T. ha vinto la partita). La tabella delle partite di Sandro Kopp mostra gli ultimi 100 incontri di tennis con statistiche e icone di vittoria/sconfitta. Sono presenti anche ...
Sandro Kopp (lahir 1978) adalah seniman visual Jerman-Selandia Baru yang berbasis di Skotlandia. Karyanya mengeksplorasi persimpangan lukisan klasik dan teknologi digital. Biografi. Kopp dibesarkan di Jerman dan memperoleh gelar Abitur dengan mata pelajaran utama seni rupa dan bahasa Inggris pada tahun 1998.
Eye portraits are painted only from life in many different locations. Most of these were painted from 2017 to 2019, but the series is ongoing. Sizes generally range from 10x10cm to 20x20cm. They were first exhibited in 2019 at the Palazzo Grimani Museum in Venice, during the Biennale in an installation created in collaboration with Alfonso ...
17 mag 2019 · In his new show, mEYEcelium, at the gorgeous Palazzo Grimani Museum in Venice, the artist Sandro Kopp, has created something similar with the eye—abstracting it from the human face in order to amplify and deepen our relationship to it. Seen together, the eyes, 116 of them in total, become a silent, staring crowd.
