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Section 375: Marzi Ya Zabardasti? (transl. Section 375: Will or Force?), better known simply as Section 375, is a 2019 Indian Hindi-language legal drama film directed by Ajay Bahl, written by Manish Gupta and produced by Kumar Mangat Pathak and Abhishek Pathak. It is based on Section 375 of the Indian Penal Code laws in India.
- est. ₹12.35 crore
- Clinton Cerejo
- 13 September 2019
13 set 2019 · Section 375: Directed by Ajay Bahl. With Akshaye Khanna, Richa Chadha, Rahul Bhat, Meera Chopra. A celebrated Bollywood director Rohan Khurana stands accused by a female member of his crew, Anjali Dangle of having raped her at his residence.
- (17K)
- Ajay Bahl
- Not Rated
- Crime, Drama, Mystery
Section 375. A celebrated Bollywood director Rohan Khurana stands accused by a female member of his crew, Anjali Dangle of having raped her at his residence. IMDb 8.1 2 h 3 min 2019. X-Ray 18+. Suspense · Drama · Downbeat · Edifying. Watch with a free Prime trial. Watch with Prime. Start your 30-day free trial. Details.
Directed by Ajay Bahl with actors Akshaye Khanna and Richa Chadha in pivotal roles, it’s surely a brave and relevant film that tackles a rather complex issue — of laws made to protect women, and...
Section 375. Watch Section 375 with a subscription on Prime Video. A filmmaker stands trial when a costume assistant on his movie accuses him of rape.
- (4)
- Crime, Drama
- Ajay Bahl
Synopsis. Notable film director Rohan Khurana (Rahul Bhat) is arrested and convicted by a sessions court after assistant costume designer Anjali Dangle (Meera Chopra) accuses him of sexual assault. Anjali returns home and breaks down and her family taker her to a police station to file an FIR.
28 mar 2023 · Rahul Desai. Updated on : 28 Mar 2023, 6:44 am. Director: Ajay Bahl. Cast: Akshaye Khanna, Richa Chadha, Meera Chopra, Rahul Bhat. In a post- Pink universe, you'd be naive to believe that a Hindi film director would fashion yet another mainstream courtroom drama prosecuting the politics of consent. In a post-MeToo universe, you'd be ...
