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  1. 1 giorno fa · The score, by Eiko Ishibashi, is mournful. The father and daughter come across a dead fawn in the forest. A gunshot is heard from nearby hunters. Later, blood drips from a small branch. It’s maybe not a coincidence that the film’s opening images of trees are followed by a lengthy scene of wood chopping. Just what is fragile and wounded in ...

  2. 1 giorno fa · Nature and Human Nature Mingle in the Beguiling ‘Evil Does Not Exist’. The films of Ryusuke Hamaguchi unspool with elegant everyday ease and yet anything can happen. Lives take sudden detours. Seemingly minor characters become primary ones. People are brought together by mysterious connections. There are even, as in the case of his Asako I ...

  3. 4 giorni fa · There’s Still Tomorrow review – resoundingly sentimental drama in postwar Rome. Paola Cortellesi’s directing debut, in which she also stars, depicts gruelling domestic abuse before finding ...

  4. 1 giorno fa · Global warming and urbanization are likely to increase fires in natural and urbanized areas, requiring advanced fire management techniques such as the use of aqueous film forming foams. However, these foams contains in particular toxic fluorinated compounds that belongs to the class of the so-called ‘forever chemicals’. Here we review aqueous film forming foams with focus on classification ...

  5. 4 giorni fa · A terminus, a meeting spot, a gateway to escape. It can be heart-lifting or drab, bathed in birdsong or heaving with commuters. It can also be the starting point for a properly good walk.

  6. 3 giorni fa · Benidorm has started the month of May, as is traditional, with the celebration of the Festa de La Creu, which has aroused the interest of hundreds of people who have gathered next to the Terminus Cross, located at the beginning of Emilio Ortuño Avenue to listen to the verse that the girl Sandra Moreno Martorell recited this year.

  7. 3 giorni fa · Jonathan Worcester’s solo exhibition is on view at University Club of Chicago, 76 East Monroe, through May 22. At the northern terminus of the space are the show’s two most striking works. Scaled to replicate the ornate neo-gothic windows that dominate the anterior walls of the exhibition space, they bear the densest of Worcester’s moiré ...