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29 giu 2011 · The Beggar's Opera – review. L ucy Bailey has had a bold and radical idea: to stage John Gay's 1728 ballad opera in its original period. This makes sense, since the piece was both an attack on ...
This film by Peter Brook of John Gay's ballad opera was a critical and commercial failure, and is rarely shown these days. It has a good enough pedigree - produced by Laurence Olivier (who also stars as Macheath) and Herbert Wilcox, and featuring Stanley Holloway, Dorothy Tutin, Hugh Griffith, Kenneth Williams (his famous speaking voice dubbed ...
22 gen 2009 · Justin Way's production for the Royal Opera partly redresses this by providing punchy, contemporary visuals. Kimm Kovac's and Andrew Hays's set offers a mock-up of Covent Garden's main auditorium ...
22 ott 2021 · David di Donatello 2024, 7 statuette per Io capitano che trionfa come Miglior Film; Challengers non ha rivali e mantiene la leadership; Stasera in TV: i film da non perdere di sabato 4 maggio 2024; David di Donatello 2024, Io capitano vince come miglior film; David di Donatello 2024, Io capitano vince come Miglior film
For well over 250 years, The Beggar's Opera's explicit and implicit commentary on operatic forms and conventions has generated a steady stream of criticism detailing the work's purportedly censorious treatment of contemporary Italian opera. In fact, Italian opera has become a critical hobby-horse, eclipsing other musico-dramatic inquiry into Gay's work. Only two critics—the most recent fully ...
It’s the best moment in the production, a bridge across nearly 300 years, a juxtaposition of early C18th ballads and the present day, a statement that everything has changed, nothing has changed. John Gay’s play was a big hit in 1728, a cynical exposé of venality that offered the immorality of low-life criminals as a parallel to the ...
9 set 2020 · The film debut of the stage director Peter Brook (“Marat/Sade”/”The Lord of The Flies”), who was in his twenties, is this uneven but entertaining musical satire of Italian operas. It’s based on John Gay’s 1728 comic opera satire about a singing, swashbuckling, womanizing, highwayman named Captain Macheath (Laurence Olivier), who escapes from the English Newgate jail the night ...
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