Risultati di ricerca
The Fright of Real Tears: Krzysztof Kieślowski Between Theory and Post-Theory is a 2001 book by the Slovenian philosopher Slavoj Žižek which uses free associative film interpretation to tangentially examine the films of Polish director Krzysztof Kieślowski while avoiding the debate between cognitive film theory and psychoanalytic ...
- Slavoj Zizek
- 240
- 2001
- 2001
22 giu 2020 · The fright of real tears : Krzysztof Kieślowski between theory and post-theory. by. Žižek, Slavoj. Publication date. 2001. Topics. Kieślowski, Krzysztof, 1941- -- Criticism and interpretation, Film criticism. Publisher. London : BFI Pub.
1 dic 1999 · The Fright of Real Tears. Slavoj Žižek. Bloomsbury Academic, Dec 1, 1999 - Art - 240 pages. Theory in film studies, as elsewhere, is in crisis. The once-dominant psychoanalytic paradigm is...
- Slavoj Žižek
- Bloomsbury Academic, 1999
- illustrated, reprint
- The Fright of Real Tears
1 dic 1999 · The Fright of Real Tears: Krzysztof Kieślowski between Theory and Post-Theory. Slavoj Žižek. 3.84. 99 ratings5 reviews. Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory.
- (99)
- Hardcover
Given the ontological weight to be carried by this notion of ‘real tears’, it should be noted that when Zizek cites this passage the word ‘those’ goes missing. In his rendition, the two key lines from the passage are given as: ‘But now I've got glycerine. I'm frightened of real tears.’
- Richard Stamp
- 2003
This article defends the relevance of Slavoj Žižek in the field of film studies through a close reading of his book, The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory (2001). In this book, Žižek responds to critiques of film theory, particularly those of David Bordwell and Noël Carroll in their anthology, Post ...
Description. In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory, arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive. This work is the elaborated version of a series of lectures Zizek gave to the BFI in 1998. Read an extract. Product details.
