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  1. 3 giorni fa · WHAT ARE MY THOUGHTS ON THE STRANGERS: CHAPTER 1? First impressions are vital, especially when it comes to film trilogies. Everything hinges on that first part being good enough to give audiences a reason to come back and see what happens next, whether it’s an engaging story or interesting characters or the expansive world in which they exist, or even all of the above.

  2. 5 giorni fa · Visually, The Strangers: Chapter 1 pays awesome tribute to Bertino’s film. Harlin and, by extension, cinematographer José David Montero ( Open Grave , Apollo 18 ) keep the grainy, grindhouse look of the original, and play with the same now-you-see-them-now-you-don’t motif for the killers, which results in much of the same palpable tension.

  3. 5 giorni fa · In terms of what the film has to offer visually, Harlin and cinematographer José David Montero do interesting work. Chapter One ’s aesthetics are at the center of a tug-of-war between the original Strangers film and its sequel Prey At Night, fighting to be both gritty and cleaner looking at the same time.

  4. 4 giorni fa · This Disney animated film featuring Donald Duck, José Carioca, and Panchito Pistoles has become a beloved classic since its release in 1945. The three characters' adventures and musical performances made them a popular trio among children and adults alike.

  5. 4 giorni fa · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

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  6. 2 giorni fa · The film’s core trio is rounded out by Paul Raci as the production’s director/spiritual guide and Sean San José as Divine’s cellmate neighbor and closest friend. Much of the cast, though, spotlights formerly incarcerated actors who were alumni of the program who hold their own alongside the seasoned professionals.

  7. 10 ore fa · Verdi’s Requiem at 150. May 22, 2024 by Timothy Judd. Today marks the 150th anniversary of the first performance of Giuseppe Verdi’s Requiem. The premiere, led by the composer, took place on May 22, 1874 at the Church of San Marco in Milan, and was followed by subsequent performances at La Scala, and in Paris.