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The Plastic Dome of Norma Jean is a 1966 independent film about a young psychic woman whose powers are exploited by a boy band, directed by Juleen Compton. It was written by Compton and filmed in the Ozark mountains, and was the feature film debut of Sam Waterston.
- Stuart Murphy
- Juleen Compton
- Juleen Compton
- Michel Legrand
The Plastic Dome of Norma Jean: Directed by Juleen Compton. With Sharon Henesy, Robert Gentry, Marco St. John, Sam Waterston. A girl's abilities as a clairvoyant are used as a roadside attraction. She quickly finds great success, but tragedy ensues.
- (46)
- Drama
- Juleen Compton
- 1966-10
Directed by Juleen Compton • 1966 • United States. Starring Sharon Henesy, Robert Gentry, Marco St. John. The second of two singular independent films directed by Juleen Compton in the 1960s finds her forging a new cinematic language to explore the then uncommon theme of female agency.
Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.
24 mag 2018 · The Plastic Dome of Norma Jean (1966) (Juleen Compton, US 1966, 82 min., 35mm) UCLA Festival of Preservation Tour. Compton’s second independent film is the story of a clairvoyant teenage girl, Norma Jean, taken advantage of by a boy band fashioned after the Beatles, determined to exploit the young woman’s powers as part of a hoax revival.
Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.
13 giu 2018 · The Plastic Dome of Norma Jean. USA1966. Juleen Compton. 82 35mm. Screening Dates. June 13, 2018 6:30. “ Stylistically accomplished … An impressive example of American independent feature filmmaking during the mid-1960s and an uncommon portrayal, for the time, of female agency.” Maya Montañez Smukler, UCLA Film & Television Archive.