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20 ore fa · With the current edition of the Venice Biennale underway, Taking Venice raises timely questions about what it means to be an American artist—or, indeed, an artist from any nation. Christine Macel, curator of the 2017 Biennale, succinctly captures this sentiment at the film’s outset: “Art is not only about art. It’s about power and politics.
4 giorni fa · ‘Taking Venice’ Offers a Glimpse at Conspiracy Theories Around the 1964 Biennale - The New York Times. ‘Taking Venice’: The Strange Story of the U.S. Government and a Painter. The...
4 giorni fa · The strategy was to get people to experience more of Rauschenberg than any other artist at the Biennale. This is a fascinating story. Counterproductive style choices get in the way of the telling, though. “Taking Venice” wears out its welcome by making the movie seem conventionally exciting, hip, commercial. Motion graphics, re-creations ...
4 giorni fa · A new documentary, Taking Venice, explores the true story behind rumors that the 1964 Venice Biennale was rigged so artist Robert Rauschenberg could win the top prize. The national release of...
1 giorno fa · Robert Rauschenberg, 38, was the first American artist to win the grand prize at the Venice Biennale. The Venice Biennale may have lost much of its singular luster, now that hundreds of periodic ...
3 giorni fa · Getty Research Institute. NEW YORK, NY.- A new documentary film, Taking Venice, uncovers the true story behind rumors that the 1964 Venice Biennale was rigged by the U.S. Government and a team of highly placed insiders so that their chosen artist, Robert Rauschenberg, could win the grand prize.
20 ore fa · But with this year’s edition of the Biennale underway, the question of what it means to be an American artist (or an artist from any country) is still one worth wrestling with, and something “Taking Venice” explores, too. “Art is not only about art,” Christine Macel, the curator of the 2017 Biennale, says at the start of the film.
