Risultati di ricerca
4 giorni fa · Thelma Schoonmaker (/ ˈ s k uː n m eɪ k ər /; born January 3, 1940) is an American film editor, best known for her collaboration over five decades with director Martin Scorsese. She is the recipient of numerous accolades, including three Academy Awards , two BAFTA Awards , and four ACE Eddie Awards .
- American
- Film editor
2 giorni fa · The legendary director’s long-time editor Thelma Schoonmaker speaks to James Mottram about their three-decade mission to restore the works of Michael Powell and Emeric Pressburger – visual ...
1 giorno fa · Speaking to this newspaper last November, Powell’s widow, Thelma Schoonmaker, who is also Scorsese’s long-time editor, recalled how the Killers of the Flower Moon director rescued her husband ...
4 giorni fa · The film is co-edited (along with Margarida Cartaxo and Stuart Davidson) by an uncredited Thelma Schoonmaker, Scorsese’s longtime collaborator and Powell’s widow. It’s a movie-family affair and a eulogy: to the qualities, the convictions and passions that elevated Powell and Pressburger’s cinema and raise us with it – love being the foremost.
1 giorno fa · This long, fascinating documentary was apparently intended as the centrepiece of last autumn’s BFI celebration of the films of Michael Powell and Emeric Pressburger. But Made in England was delayed while Martin Scorsese (executive producer, presenter, and narrator) and his editor Thelma Schoonmaker (Powell’s widow, who also gets a credit as an executive producer) put the finishing touches ...
1 giorno fa · Now, with Made in England, Scorsese talks us through the careers of both men, whose films so inspired and influenced him, drawing through-lines from their films and his own; with clips played from his own classics Raging Bull and The Age of Innocence. As well as a look at their lives, the documentary, directed by David Hinton, offers a detailed ...
2 giorni fa · The legendary director's long-time editor Thelma Schoonmaker speaks to James Mottram about their three-decade mission to restore the works of Michael Powell and Emeric Pressburger — visual geniuses whose Technicolor fantasias were once at risk of being forgotten.
