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Tim's Bio: From the Motion Picture – Life from da Bassment is a 1998 album released by Blackground Records. Though nominally the debut solo album by hip-hop/R&B producer Timbaland , the LP is technically a compilation of tracks produced by Timbaland and often – though not strictly – featuring his vocals.
No.TitleWriter (s)Producer (s)1."Intro" (featuring T.K. Kirkland)Tim Mosley T.K. KirklandTimbaland2."I Get It On" (featuring Bassey)T. Mosley Bassey S. CarterTimbaland3."To My" (featuring Nas & Skillz)T. Mosley N. Jones D. LewisTimbaland4."Here We Come" (featuring Magoo & Missy ...T. Mosley M. Elliott M. Barcliff P.Timbaland- 76:18
- November 24, 1998
Tim's Bio: Life from da Bassment è un album del 1998 pubblicato dalla Blackground Records. Formalmente si tratta dell'album di debutto da solista del produttore R&B / hip-hop Timbaland , l'album è in pratica una compilation di brani prodotti da Timbaland e spesso, ma non sempre, a cui ha anche collaborato nella parte vocale.
25 ago 2019 · When Missy and Aaliyah jumped on a track together, it always resulted in a smooth banger. This cut off Timbaland’s 1998 album Tim’s Bio: Life from da Bassment proved to be no...
- Keenan Higgins
Tim's Bio: Life from da Bassment: Aaliyah, Ginuwine, Magoo, Missy Elliott, Playa, Skillz Blackground Records/Empire Distribution: 1998/2021
10 dic 1998 · Timbaland is a relatively new legend who crossbreeds hip-hop and R&B into platinum mutations for sexy young Aaliyah and supersonic Missy Elliott.
Tim's Bio: From The Motion Picture - Life From Da Bassment, shortened to Tim's Bio: Life from da Bassment, is the first solo studio album by American music producer Timbaland. The album features the singles "Here We Come", "Keep It Real", "Lobster & Scrimp" and "Can't Nobody".
12 lug 2014 · Though his trademark style of stuttered beats and obtuse samples is probably best witnessed on singles by Missy Elliott and Aaliyah, Tim's Bio is a solid introduction to the talents of hip-hop's best young producer of the late '90s. Full Review. 9y. 80. Rolling Stone. We want music we can dance to — we need music that frightens our parents.
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