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Tomás Gutiérrez Alea (L'Avana, 11 dicembre 1928 – L'Avana, 16 aprile 1996) è stato un regista cubano. Uno dei fondatori dell'Istituto cubano di arte e cultura cinematografica nato nel 1959 e voluto dal governo di Fidel Castro .
Tomás Gutiérrez Alea ( Spanish pronunciation: [aˈlea]; December 11, 1928 – April 16, 1996) was a Cuban film director and screenwriter. Gutiérrez Alea wrote and directed more than twenty features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance ...
- 16 April 1996 (aged 67), Havana, Cuba
30 apr 2024 · Tomás Gutiérrez Alea was a Cuban film director. After earning a law degree in Cuba, he studied filmmaking in Rome (1951–53). A supporter of Fidel Castro, he helped develop Cuba’s film industry after 1959 and made the communist regime’s first official feature film, Stories of the Revolution (1960).
- The Editors of Encyclopaedia Britannica
Tomás Gutiérrez Alea. Director: Strawberry & Chocolate. Cuba's greatest and best-known director, Tomas Gutierrez Alea fell in love with cinema at an early age, began as a documentarian much influenced by Italian neorealism and came into his own as an artist during Fidel Castro's regime.
- January 1, 1
- Havana, Cuba
- January 1, 1
- Havana, Cuba
Jun 06, 2024 – Jun 27, 2024. Cinematic giant Tomás Gutiérrez Alea (1928–1996) is widely regarded as Cuba’s foremost filmmaker. From comedies and satires to historical epics, his stylistically daring films explore life in postrevolutionary Cuba.
Tomás Gutiérrez Alea, apodado Titón (La Habana, 11 de diciembre de 1928-ibídem, 16 de abril de 1996), fue un influyente cineasta cubano. Escribió y dirigió más de 20 largometrajes, documentales y cortos, conocidos por su influencia en la Cuba post-Revolucionaria, y su delicado equilibrio entre la dedicación a la Revolución ...
5 ott 2003 · articles in Senses. web resources. The films of Cuban filmmaker Tomás Gutiérrez Alea give insight into how the Cuban revolution that had inspired so many people all over the world had come to a crisis. His films always defined the limits of expression in revolutionary Cuba (1).
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