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  1. 4 mag 2024 · Un grande plauso va fatto anche alla fotografia di Vilmos Zsigmond, fortemente pregna di immagini studiate e significative, al montaggio di Peter Zinner, che conferisce un andamento straniante ma funzionale all’opera, e al reparto sonoro capeggiato da Richard Portman e William L. McCaughey, sottolineando come il tema principale del film ...

  2. 2 mag 2024 · Robert Altman, l’odio di John Wayne e un western dimenticato: I compari. Wayne lo disprezzò fin dall’uscita, ma rimane ancora un grande film. Ecco perché…. Tris d'assi: Warren Beatty e Robert Altman con il direttore della fotografia, Vilmos Zsigmond. di Tommaso Aprigliano 2 Maggio 2024.

  3. 1 giorno fa · But we didn’t know how good we had it: At least “Heaven’s Gate” was shot by the brilliant Vilmos Zsigmond and attempted some big ideas and a shape. “Horizon” is television.

  4. 7 mag 2024 · Vilmos Zsigmond was the hottest shit director of photography in Hollywood at that time, having recently won an Oscar for Close Enounters of the Third Kind (1977). He and his lifelong Hungarian buddy, Laszlo Kovacs, were huge.

  5. www.americancinematheque.com › now-showing › heavens-gate-4/27/24HEAVEN'S GATE - American Cinematheque

    27 apr 2024 · Vilmos Zsigmonds cinematography provides as much dramatic pull, capturing a spectacular dust-filled, snow-peaked setting that evokes not only the enormity of Cimino’s Western tale but the awesome nature of America’s landscape and its historical significance in the film’s post Civil War era.

  6. 1 giorno fa · As with The Deer Hunter, Cimino was famously demanding of his cast and crew, including cinematographer Vilmos Zsigmond, whom he had liked working with before because of his "obstinacy" on set. Second assistant director Michael Stevenson since admitted that Cimino "lost his temper sometimes when people tried to interfere," but that ...

  7. 4 giorni fa · For some films, such as McCabe and Mrs. Miller, he created a powerful visual atmosphere with cinematographer Vilmos Zsigmond, such as scenes using fluid camerawork, zoom lenses, and a smoky effect using special fog filters. Director Stanley Kubrick told Altman that "the camerawork was wonderful," and asked, "How did you do it?"