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  1. 26 ott 2023 · William Carlos Williams (b. 1883–d. 1963) is now recognized as an American poet who was a major influence on later poetry in English, especially on American poetry, although his reputation during his lifetime grew slowly. He also wrote plays, novels, short stories, translations, essays, and an autobiography.

  2. William Carlos Williams was born the first of two sons of an English father and a Puerto Rican mother of French, Dutch, Spanish, and Jewish ancestry, and he grew up in Rutherford, New Jersey. He was a medical doctor, poet, novelist, essayist, and playwright.

  3. William Carlos Williams – poemas. Por. Revista Prosa Verso e Arte. -. “Williams torce o pescoço da estética tradicional; a arte não imita a natureza, imita seus procedimentos criativos.”. – Octavio Paz, em “William Carlos Williams: Poemas”. [seleção, tradução e estudo crítico de José Paulo Paes]. São Paulo: Companhia das ...

  4. William Carlos Williams (1883 – 1963), romanziere, poeta e medico statunitense. Citazioni di William Carlos Williams [ modifica ] Il «free verse» di Whitman era un assalto alla fortezza della poesia in se stessa; una sfida, rivolta a tutti i poeti viventi, a spiegare per quali motivi non dovessero anche loro scrivere allo stesso modo.

  5. William Carlos Williams, né le 17 septembre 1883 et mort le 4 mars 1963, est un poète, traducteur, critique littéraire et romancier américain. Il est un des grands représentants du modernisme américain, participant aux mouvements de l' imagisme et de l' objectivisme dont il est l'un des membres fondateurs.

  6. 14 mag 2020 · Si colloca sempre nell’impossibile ogni rapporto di CC. L’11 marzo del 1963 scrive: “È morto, giorni fa, William Carlos Williams. Ora non c’è più nessuno da amare nella poesia. Eliot, Marianne Moore, Djuna Barnes. Ma non danno, come lui, la primavera, il caldo tempo che torna malgrado tutto e che si vorrebbe baciare”.

  7. All but the first two lines of “The Red Wheelbarrow” is devoted to one image. Williams’s poems also often point out the relationship between things and the words we use to talk about them. In “A Sort of a Song,” Williams makes a bold statement: Let the snake wait under. his weed. and the writing.

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