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  1. Yūsaku Matsuda - Wikipedia. Yūsaku Matsuda ( 松田優作?, Matsuda Yūsaku; Shimonoseki, 21 settembre 1949 – Tokyo, 6 novembre 1989) è stato un attore giapponese . Indice. 1 Biografia. 2 Nella cultura di massa. 3 Filmografia parziale. 4 Doppiatori italiani. 5 Note. 6 Collegamenti esterni. Biografia.

  2. Yūsaku Matsuda (松田 優作, Matsuda Yūsaku, September 21, 1949 – November 6, 1989) was a Japanese actor. In Japan, he was best known for roles in action films and a variety of television series in the 1970s as well as a switch to a wider range of roles in the 1980s.

    • 1972–1989
    • November 6, 1989 (aged 40), Musashino, Tokyo, Japan
  3. 16 giu 2023 · He specialises in coverage of contemporary East Asian cinema, and has previously worked as a music reporter for outlets including NME and Crack Magazine. Star of The Game Trilogy and one of Japan's greatest action heroes, we look back at the short but sensational career of cinema icon Yusaku Matsuda.

  4. Yūsaku Matsuda was a Japanese actor. He was born in Shimonoseki, to a Japanese father and a Zainichi Korean mother. He became an actor when he was 23 as a rookie police officer for the 1970s Japanese TV detective drama called Taiyō ni hoero!

  5. Yūsaku Matsuda (松田 優作, Matsuda Yūsaku, September 21, 1949 – November 6, 1989) was a Japanese actor. In Japan, he was best known for roles in action films and a variety of television series in the 1970s as well as a switch to a wider range of roles in the 1980s.

  6. Lead actor Yūsaku Matsuda also played the role of a detective (Shunsaku Kudo) in the 1979-1980 TV series Tantei Monogatari (Detective Story) but the film is unrelated to the TV series. The film was released in Japan on VHS tape in December 1989, [4] and as a DVD in December 2000.

  7. 6 mar 2024 · It is both fitting and ironic that this role of the person who creates chaos in the Numata household should be played by the “bad boy” of Japanese cinema— Yūsaku Matsuda. And, the situation of a stranger arriving and “infiltrating” one well-to-do family, establishing his own sense of “order” there, is not unlike that ...