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Yekaterina Georgievna Gradova (Russian: Екатери́на Гео́ргиевна Гра́дова; 6 October 1946 – 22 February 2021) was a Russian film actress who appeared in two Soviet blockbuster films Seventeen Moments of Spring and The Meeting Place Cannot Be Changed.
Ekaterina Gradova was born on 6 October 1946 in Moscow, RSFSR, USSR. She was an actress, known for The Meeting Place Cannot Be Changed (1979), Seventeen Moments of Spring (1973) and Sobaka Baskerviley (1971). She was married to Ilya Timofeyev and Andrey Mironov. She died on 22 February 2021 in Moscow, Russia.
- January 1, 1
- Moscow, RSFSR, USSR
- January 1, 1
- Moscow, Russia
Yekaterina Georgievna Gradova (Russian: Екатери́на Гео́ргиевна Гра́дова; 6 October 1946 – 22 February 2021) was a Russian actress. She appeared in two Soviet blockbuster movies Seventeen Moments of Spring and The Meeting Place Cannot Be Changed. Her career lasted from 1969 to 1992. Gradova was born in ...
Ekaterina Gradova was born on 6 October 1946 in Moscow, RSFSR, USSR. She was an actress, known for The Meeting Place Cannot Be Changed (1979), Sobaka Baskerviley (1971) and Seventeen Moments of Spring (1973). She was married to Ilya Timofeyev and Andrey Mironov. She died on 22 February 2021 in Moscow, Russia.
- October 6, 1946
- February 22, 2021
24 feb 2021 · Honored Artist of the RSFSR Yekaterina Gradova was buried in the "Avenue of Stars" at the Troyekurovsky cemetery. RIA Novosti reports. It is noted that relatives and close friends of the actress attended the funeral. Gradova's grave is located next to the graves of Valentin Gaft, Sergei Yursky, Dmitry Brusnikin.
Yekaterina Georgievna Gradova (Russian: Екатери́на Гео́ргиевна Гра́дова; 6 October 1946 – 22 February 2021) was a Russian film actress who appeared in two Soviet blockbuster films Seventeen Moments of Spring and The Meeting Place Cannot Be Changed. Read more on Wikipedia.
Yekaterina Gradova as Svetlana Volokushuna, "Ruchechnik"'s accomplice; Ivan Bortnik as "Promokashka", member of the Black Cat gang; Cultural impact Monument to Zheglov and Sharapov in Odesa. The film's massive popularity made it a major source of Soviet and post-Soviet popular culture.
