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Yury Ivanovich (Russian: Юрий Ива́нович; 23 March 1480 – 3 August 1536) was the second surviving son of Ivan III and his wife Sophia Paleologue. Since 1519, his appanages included Dmitrovskoe knjazevstvo. When his elder brother Vasily III ascended to the throne, Yury was 24 years old.
- 23 March 1480
- Rurik
Yury Ivanovich Borisov (Russian: Юрий Иванович Борисов; born 31 December 1956) is a Russian politician, former military strategist, and mathematician currently serving as Director General of Roscosmos. From 2018 to 2022, he served as the Deputy Prime Minister of Russia, and from 2012 to 2018, as the Deputy Minister ...
- 1978 – present
- Vladimir Putin
Pubblicazione. Yuri Ivanovich Pimenov (26 novembre 1903, Mosca - 6 settembre 1977, Mosca) - Pittore russo e sovietico, progettista teatrale, maestro del manifesto pubblicitario sovietico, saggista. Caratteristiche dell'artista Yuri Pimenov: Fu chiamato il maestro dell'impressionismo sovietico; Pimenov stesso si considerava un "impressionista ...
23 lug 2019 · L’operazione “Scacco matto” – condotta da polizia, DIA e Sisde – ha scoperto che Yuri reinvestiva i soldi sporchi in alberghi, tecnologie elettroniche, moda e alimentazione. Con lui ...
- Soccer, 1926
- “Give Heavy Industry!” 1927
- ‘Triptych. Workers of The Uralmash Plant,’ 1934
- ‘New Moscow,’ 1937
- ‘Front Road,’ 1944
- ‘Spring Window,’ 1948
- ‘District of Tomorrow,’ 1957
- ‘Waiting,’ 1959
- ‘Wedding on Tomorrow Street,’ 1962
- ‘Running Across The Street,’ 1963
Soviet propaganda worked hard to promote sports to the masses. Soviet workers had to be healthy and slim to be able to commit the normatives in labor. Pimenov depicted strong athletes who seem not to run, but float above the field. Soon, the Soviets would have a long affair with soccer.
Proletarians were the ruling class and the most important people in the new Soviet country, so they were always praised and poetized. In the 1920s, Pimenov’s paintings had avant-garde allure and were not as realistic as his later works. The official art implemented in the 1930s had to be clear to the masses.
Labor feats were among the main topics focused on by Soviet artists. Yuri Pimenov was among those who glorified the life of heroic workers. The three parts of this canvas show women in the theater, at work, and drinking tea at home.
Probably the most famous painting by Yuri Pimenov is his “New Moscow,”' an example of quintessential socialist realism. In the 1930s Pimenov painted many beautiful views of Moscow, which was undergoing massive renovation work, spearheaded by Stalin. A woman driving was a rare thing and symbolised a new era. The painting is an optimistic view of the...
In the 1940s Pimenov turned to portrayingwar. In this image showing the frontline of WWII the artist uses the same composition evident in his “New Moscow” work. The method highlights the contrast between war and peacetime. There is no happy future ahead – only war.
The artist once recalled he was once asked why he always drew women workers in dirty clothes. People thought it was a state order, but Pimenov saw poetry in grubby overalls.
All official Soviet art was essentially propaganda and artists were encouraged to romanticize the massive construction works of the post-war 1950s. People looking forward to a new life tomorrow were depicted by Pimenov.
When Khrushchev's Thaw started, Pimenov turns his attention to psychology, showing ordinary people's feelings and emotions.
Pimenov and his peers created an association of artists who reflected the ideas of communism and socialism in their works. Happy healthy people and the building of a new country – just like on this canvas.
In the Khrushchev thaw, girls were no longer depicted in labor or military uniforms, but in colorful summer dresses once again. Everything around was to be full of life and hope for the future.
5 lug 2018 · Yury Ivanovich Borisov. The price of sovereignty and economical defense The expert studied the key parameters of the new State Arms Program-2027 July 05, 2018. Borisov will become the curator...
Yuri Ivanovich influenced the education of generations of mathematicians in a multitude of ways. In Moscow, he conducted two 1.5-hour seminars each week on different subjects, one right after the other. Yuri Ivanovich possessed an amazing intellectual ability to learn any kind of math he found exciting. His attitude toward math was highly social.
