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This definitive film biography portrays Zora Neale Hurston in all her complexity: gifted, flamboyant, and controversial but always fiercely original. To watch the entire documentary, to...
- 3 min
- 140,6K
- California Newsreel
Zora Neale Hurston: Jump at the Sun: Directed by Sam Pollard. With Kim Brockington, Cab Calloway, Frank Robertson Jr., Henry Louis Gates Jr.. Author Zora Neale Hurston died in poverty in 1960 but today her novels are read throughout the world. Her controversial life story is explored in this biopic.
- (117)
- Documentary, Biography, Music
- Sam Pollard
- 2008-04-09
ADIFF Chicago 2024 Tickets. Saturday, June 15. 1:00pm. Zora Neale Hurston: Jump at the Sun, directed by Sam Pollard, is an illuminating documentary that captures the life and legacy of one of the most significant African American writers of the 20th century, Zora Neale Hurston.
16 ago 2008 · Overview. Zora Neale Hurston, path-breaking novelist, pioneering anthropologist and one of the first black women to enter the American literary canon (Their Eyes Were Watching God), established the African American vernacular as one of the most vital, inventive voices in American literature.
You can buy "Zora Neale Hurston: Jump at the Sun" on Amazon Video as download or rent it on Amazon Video online. Synopsis Zora Neale Hurston, path-breaking novelist, pioneering anthropologist and one of the first black women to enter the American literary canon (Their Eyes Were Watching God), established the African American vernacular as one ...
- 2008
- 5
- Sam Pollard
- 83 min
1 feb 2009 · Product Description. The first definitive feature-length biography about Zora Neale Hurston was broadcast on PBS' American Masters series to wide acclaim across America. Winner: BEST EDUCATIONAL FILM at the International Festival du Film sur l'Arts in Montreal (2009). Zora Neale Hurston was the Queen of the Harlem Renaissance in the 1920s.
- DVD
2008 Directed by Sam Pollard. Zora Neale Hurston, path-breaking novelist, pioneering anthropologist and one of the first black women to enter the American literary canon (Their Eyes Were Watching God), established the African American vernacular as one of the most vital, inventive voices in American literature.
