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27 mag 2021 · Out in theaters and on Disney+ May 28, the movie drops a pre-transformation Estella (Emma Stone) in the fashion world of 1970s London and portrays the makings of a so-called monster. Director Craig Gillespie spoke to Screen Rant about how he approached the prequel, what Emma Stone brought to the role, and what homages are included for longtime ...
26 set 2023 · With his latest film, Dumb Money, director Craig Gillespie dramatizes the insane true story of how everyday people flipped the script on Wall Street. He sits down with Tom Power to talk about it
- 3 min
- Vivian Rashotte
Craig Gillespie (56, b. 1 Sep 1967) is an Australian film director best known for directing the 2007 film Lars and the Real Girl the Golden Globe winning film I, Tonya. Born and raised in Sydney, Gillespie moved to New York City at the age of nineteen to study illustration, graphic design and advertising at Manhattan's School of Visual Arts. Gillespie worked for fifteen years as a commercial ...
14 set 2023 · El director australiano Craig Gillespie y el actor ‘nuyorican’ Anthony Ramos en una escena de “Dumb Money”. (Claire Folger) Por Sergio Burstein Staff Writer and Assistant Editor .
- 3 min
- Sergio Burstein
4 apr 2024 · April 4, 2024. By The Credits. Milly Alcock’s Supergirl is going to take flight with the man behind I, Tonya and Cruella. Craig Gillespie has been tapped to direct Supergirl: Woman of Tomorrow, which will star Alcock as Kara Zor-El, a Kryptonian with immense powers and a family connection to Superman. Gillespie will direct from a script by ...
3 apr 2024 · I, Tonya and Cruella director Craig Gillespie is reportedly in talks to direct Supergirl: Woman of Tomorrow for DC Studios. Published Wed, 03 Apr 2024 15:15:08 -0500 by Kaitlyn Booth
Gillespie served as producer and director of the Showtime series, “The United States of Tara,” directing the pilot episode that helped actress Toni Collette earn an Emmy and a Golden Globe. Penned by Oscar-winning Juno scribe, Diablo Cody, the show bears Gillespie’s unmistakable stamp of dancing on the boundary between comedy and drama, while maintaining a clear directorial presence.
