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5 giorni fa · Jamie Babbit; Héctor Babenco; Lloyd Bacon; Clarence G. Badger; John Badham; Bae Yong-Kyun; Cindy Baer; Prince Bagdasarian; King Baggot; Nadeem Baig; Prano Bailey-Bond
2 giorni fa · Famous Players–Lasky (Lucien Hubbard, Jesse L. Lasky, B.P. Schulberg, & Adolph Zukor, producers) 7th Heaven: Fox (William Fox, producer) The Racket: The Caddo Company (Howard Hughes, producer) 1928/29; The Broadway Melody: Metro-Goldwyn-Mayer (Irving Thalberg & Lawrence Weingarten, producers) Alibi: Feature Productions (Roland West ...
- Best Motion Picture of the Year
- Academy of Motion Picture Arts and Sciences (AMPAS)
- United States
1 giorno fa · The Godfather is a 1972 American epic gangster film [2] directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel of the same title. The film stars an ensemble cast including Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard ...
- $250–291 million
- Nino Rota
- $6–7.2 million
- Albert S. Ruddy
5 giorni fa · Paramount Pictures Corp. was established in 1914 by W.W. Hodkinson as a film distributor, offering Adolph Zukor’s Famous Players Film Company, the Jesse L. Lasky Feature Play Company, and other producers an outlet for their movies.
5 giorni fa · Norman Lear. In full: Norman Milton Lear. Born: July 27, 1922, New Haven, Connecticut, U.S. Died: December 5, 2023, Los Angeles, California (aged 101) Founder: People for the American Way. Awards And Honors: Peabody Award. Kennedy Center Honors (2017) National Medal of Arts (1999) Emmy Award (1973) Emmy Award (1972) Emmy Award (1971) (Show more)
3 giorni fa · Mass Media. Source: Amazon.com. The Producers is a classic comedy film that has captivated audiences since its release in 1967. With its unique storyline, hilarious characters, and memorable songs, The Producers has become a beloved cult favorite.
1 giorno fa · The phenomenon of international coproduction arose at Cannes in the late 1940s. The festival was at times the site of artistic contention as well, as in 1958–59, when advocates and opponents of the French New Wave exchanged diatribes and manifestos. (Read Martin Scorsese’s Britannica essay on film preservation.)
