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  1. Shaftesbury Avenue, W1V 8AR. No booking fee for personal callers. Special Access Needs Customers: Wheelchair users and other registered disabled theatregoers can book their seats and enquire about concessionary prices that may be available to them on 0344 482 5137. www.delfontmackintosh.co.uk is the official theatre website.

  2. 11 lug 2019 · Inside the Gielgud Theatre Where is the Gielgud Theatre? You will find the Gielgud on Shaftesbury Avenue in the heart of London’s West End. The postcode is W1D 6AR. The nearest tube station is Piccadilly Circus. What are the best seats at the Gielgud Theatre? The Gielgud has 889 seats spread across three levels- Stalls, Dress Circle and Grand ...

  3. Opening NightAccess Performance Dates. Captioned Performance. Saturday 4th May 2024 at 2:30 pm. Book Now. For further information or to discuss your visit to Gielgud Theatre and check availability, please use the options below: Call our Access department on +44 (0) 344 4825 137 or. Email Gielgud TheatreAccess Department.

  4. Il Gielgud Theatre è un teatro sito nella città di Westminster del West End di Londra. Progettato da W. G. R. Sprague, il teatro aprì al pubblico nel 1906 con il nome di Hicks Theatre, prima di essere ribattezzato Globe Theatre nel 1909. Nel 1994, quando Sam Wanamaker fece ricostruire il Globe Theatre di Shakespeare nel Southbank, il teatro ...

  5. Gielgud Theatre Shaftesbury Avenue, London, W1D 6AR ... Seating charts reflect the general layout for the venue at this time. For some events, ...

  6. The Gielgud Theatre, originally called the Hicks Theatre, opened on 27 December 1906. It’s first two productions, the musicals The Beauty of Bath and My Darling, were both written by Seymour Hicks, who the theatre was named after. When Hick’s wife missed several performances of The Dashing Little Duke (1909) due to illness, he stepped into ...

  7. 27 mar 2024 · Written by Franco Milazzo for Theatre & Tonic. Disclaimer: Gifted tickets in exchange for an honest review. With Ivo van Hove, one should expect the unexpected but the prolific Belgian director outdoes himself with a musical which sinks below all expectations. Whether it is even a musical is debatable. Taking John Cassavetes’ 1977 stylish ...