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  1. The Sensational She-Hulk #31 (Sept. 1991), Byrne with She-Hulk and editor Renée Witterstaetter. Cover art by Byrne. On the request of editor Mark Gruenwald, Byrne wrote and drew a new series in 1989, The Sensational She-Hulk (maintaining the 1985 graphic novel's title).

    • American
    • John Lindley Byrne, July 6, 1950 (age 73), Walsall, Staffordshire, England
    • 10 Read This Issue – Your X-Men Comics Depend on It
    • 9 Jennifer Changes Between Panels
    • 8 She-Hulk Takes A Shortcut Through The Ordering Page
    • 7 Even Superhero Lawyers Can't Keep Up with The Comics Code
    • 6 She-Hulk Figures Out The Secret to Selling A Marvel Comic
    • 5 Jennifer & John Duke It Out in The Gutter
    • 4 A Threeway Battle Between Renee, Jennifer & John
    • 3 Renee Teaches Byrne The Folly of Fromage
    • 2 Who Needs A Plot? Here’s A Pin-Up Special!
    • 1 Jennifer Fires Her Writer-Artist, Out of A Building

    Sensational She-Hulk was launched with a cover that has been recreated several times, including in the series' final issue. She-Hulk's original solo series, Savage She-Hulk,was canceled after 25 issues and Marvel was skeptical whether the character was popular enough to warrant a new ongoing. It's easy to imagine a marketing executive arguing that ...

    She-Hulk's fourth-wall-breaking gags frequently deconstructed the conventions of comic book storytelling. This sequence from The Sensational She-Hulk#4 finds Jennifer Walters in the middle of picking an outfit. Since choosing from one's wardrobe can be time-consuming, She-Hulk decides to change between panels instead. RELATED: The Top 10 She-Hulk V...

    Readers who are only familiar with digital comics and trade collections may not appreciate how much ad space they're missing out on. Periodical print issues generally feature several pages of promotional matter in the middle of the story. Also, unlike television, most comic plots aren't paced with ad breaks in mind. Marvel Comics once had an ad sec...

    By the 80s, the Comics Code Authority (CCA) was loosening its grip on the industry; however, creators weren't free of it just yet. An openly sex-positive comic like She-Hulkfrequently flirted with making code violations. But the CCA didn't just object to characters having sex lives; it also targeted the horror genre. Sensational She-Hulk#34 opens w...

    Jennifer's prophetic claims in issue one had come true within a few years, and She-Hulkwas struggling to sustain an audience. This opened the door for John Byrne to return after he'd been abruptly fired. The new sales strategy was for She-Hulk to replicate whatever popular comics would do on their covers and then poke fun at her cynical marketing g...

    In the history of fourth-wall-breaking gags, there is arguably nothing more iconic than the animated short Duck Amuck, which featuredDaffy Duck having a surreal showdown with his animator. Byrne performs a playful homage to this Looney Tunes sketch in Sensational She-Hulk#37. RELATED: Marvel: The Strongest Female Heroes To delay the resolution of a...

    The Sensational She-Hulk'snew editor, Renee Witterstaetter, often joined the fourth-wall-breaking shenanigans. In an innovative sequence from issue 39, She-Hulk chastises Byrne for his overreliance on plots involving supervillains with romantic intentions. While She-Hulk lists examples, the editor's footnotes point out the issues in which these eve...

    In the nineties, artists like Todd McFarlane and Erik Larsen popularized a kinetic, expressive art style filled with lines. Even big names like George Perez and John Byrne may have felt pressure to adopt elements of this visual language. Finally, Byrne owned up to doing a McFarlane impression in his contemporary Namor: The Submarinercomic. Readers ...

    Byrne's strategy of exploiting the character's sexual appealbecame increasingly blunt towards the end of his run. At this point, calling the comic a series of loosely connected She-Hulk pinups wouldn't have been entirely unwarranted. With issue 45, the creators owned up to this criticism, then doubled down by producing a comic that was a literal se...

    A large part ofSensational She-Hulk'sappeal was that it cast a wide net with its jokes, and the comic's most popular target was Byrne himself. In his final issue, Byrne offers an in-story explanation for all the fourth wall breaks, revealing that the She-Hulk comic exists within the Marvel Universe and was actually licensed by Jennifer herself. How...

  2. 1 giu 1992 · Cover Information. Cover Artist: John Byrne. Editor: Renee Witterstaetter. Byrne. Austin. Byrne. Browse the Marvel Comics issue Sensational She-Hulk (1989) #40. Learn where to read it, and check out the comic's cover art, variants, writers, & more!

  3. en.wikipedia.org › wiki › She-HulkShe-Hulk - Wikipedia

    Cover to Sensational She-Hulk #31, on which She-Hulk interacts with John Byrne and editor Renée Witterstaetter. For a time, starting with the Sensational She-Hulk series by John Byrne in 1989, She-Hulk was portrayed with a form of "cross-dimensional" or metafictional awareness to break the fourth wall.

    • Jennifer Susan Walters
    • The Savage She-Hulk #1 (November 1979)
  4. Marvel's Executive Editor and Senior Vice President of Publishing, Tom Brevoort, has posted a pair of unused Sensational She-Hulk  covers by artist John Byrne. Both covers, in following with Byrne's iconic take on the series, place Jennifer Walters in an unusual situation.The first cover, for Sensational She-Hulk #11, depicts ...

  5. 18 giu 2022 · 119 views 1 year ago. Is John Byrne's time on She-Hulk one of Marvel's most scandalous in terms of both covers and content? ...more.

    • 26 min
    • 308
    • TitanComicPressingLLC
  6. Browse the Marvel comic series Sensational She-Hulk (1989 - 1994). Check out individual issues, and find out how to read them!

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