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Journey's End is a tempera on paper painting, painted by Indian artist Abanindranath Tagore (1871–1951) in 1913. Background. Towards the close of the 19th century, Abanindranath Tagore, encouraged by E.B. Havell, an English arts administrator, questioned the British academic system of art education.
- Tempera on paper
- Abanindranath Tagore
- c. 1913
‘Journey’s End’, one of the masterpieces of Abanindranath, is expressive of Abanindranath’s visual language. It shows a camel that has collapsed under its heavy load carried over long...
Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Journey's End’ was created in 1913 by Abanindranath Tagore. Find more prominent pieces of animal painting at Wikiart.org – best visual art database.
“Journey’s End” is an artwork by Abanindranath Tagore, completed in 1913, and is classified as an animal painting. The artwork is housed at the National Gallery Of Modern Art (NGMA) in New Delhi, India. The painting depicts a poignant scene involving animals.
- Abanindranath Tagore
- Journey's End
- 1913
19 nov 2020 · Journey’s End Painting by Abanindranath Tagore | Pratha. Akshita Rana. Nov 19, 2020. 3 min read. Journey’s End (1913): An Artistic Representation of British India? A glance at Abanindranath Tagore’s painting- Journey’s End creates an unforgettable image in the minds of the viewers.
14 set 2020 · Journey's End. Publisher: National Gallery of Modern Art, New Delhi. Description: This painting is created by an Indian artist Abanindranath Tagore using tempera and paper. It is now exhibited in the National Gallery of Modern Art, New Delhi. Type: Painting. Received From: National Gallery Of Modern Art, New Delhi.
26 gen 2021 · “Journey’s End” is a tempera on paper painting from circa 1913 by the Indian artist, Abanindranath Tagore. In this painting, Tagore depicts a camel who has collapsed under the weight of his load. Saturated with color, and yet gentle in line and application, Tagore’s ease of emoting via his paintbrush is evident.
