1920
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10 ore fa · Chaney seizes the opportunity to display his range, though the dual roles don’t exploit his penchant for physical deformity which was already becoming his hallmark in movies like George Loane Tucker’s The Miracle Man (1919) and Wallace Worsley’s The Penalty (1920), and would make him one of the most recognizable stars of the twenties, not least in the films he would soon be making with ...
