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  1. www.shmoop.com › study-guides › silence-mooreSilence Analysis | Shmoop

    Moore never really knew her father, John Milton Moore. He had a nervous breakdown just before she was born and was committed to a mental institution in Missouri. A few years later, Marianne's mothe...

  2. the mouse's limp tail hanging like a shoelace from its mouth --. they sometimes enjoy solitude, and can be robbed of speech. by speech which has delighted them. The deepest feeling always shows itself in silence; not in silence, but restraint." Nor was he insincere in saying, "`Make my house your inn'." Inns are not residences.

  3. Marianne Moore fue una destacada poetisa estadounidense del siglo XX, conocida por su estilo único y su capacidad para combinar elementos del modernismo con una sensibilidad propia. Nacida el 15 de noviembre de 1887 en St. Louis, Missouri, Moore se convirtió en una figura prominente dentro de la corriente literaria del modernismo y dejó un ...

  4. Marianne Moore nacque a Kirkwood (Missouri), nella casa parrocchiale della chiesa presbiteriana di cui il nonno materno, John Riddle Warner, era il pastore. Figlia di un ingegnere e inventore, John Milton Moore, e di sua moglie, Mary Warner, Marianne crebbe nella casa del nonno, il padre essendo stato ricoverato in un ospedale psichiatrico prima della sua nascita.

  5. that takes its prey to privacy, the mouse’s limp tail hanging like a shoelace from its mouth—. they sometimes enjoy solitude, and can be robbed of speech. by speech which has delighted them. The deepest feeling always shows itself in silence; not in silence, but restraint.”. Nor was he insincere in saying, “Make my house your inn.”.

  6. Marianne Moore - Silence. My father used to say, “Superior people never make long visits, have to be shown Longfellow’s grave nor the glass flowers at Harvard.

  7. 5 feb 2019 · By Gabrielle Bellot. February 5, 2019. In “Feeling and Precision,” a contemplative essay by the Modernist poet Marianne Moore from 1944, she argued—in a sense—against the claims that her famously difficult and opaque poems were lacking in emotion. Emotion itself, she suggested, was something simple, clear language could not always capture.