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  1. 3 giorni fa · Abramović e Ulay, una storia di amore e di performance. Marina Abramović e Ulay, negli Anni Settanta e Ottanta, hanno dato vita ad alcune performance artistiche che hanno destato interesse e curiosità, ma anche disappunto e perplessità, soprattutto a causa della difficoltà di comprendere il loro messaggio di critica contro il conformismo ...

  2. 4 giorni fa · Questo castello, legato alla leggenda di Virgilio Mago, si prepara ora ad ospitare l’arte della madre della performance art, Marina Abramović, artista che ha una lunga familiarità con la città di Napoli, dove 46 anni fa aveva tenuto la storica performance Rhytm 0 alla Galleria Studio Morra.

  3. 5 giorni fa · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

  4. In a performance in 1974, Marina Abramović told visitors she wouldn't move for six hours, whatever they did to her. She made 72 items available on a table on her side that could be used to please or destroy her, She invited visitors to use the items on it as they wish.

  5. 1 giorno fa · The Museum of Modern Art held a major retrospective and performance recreation of Marina Abramović's work, the biggest exhibition of performance art in MoMA's history, from March 14 to 31, 2010. The exhibition consisted of more than twenty pieces by the artist, most of them from the years 1960–1980.

  6. 4 giorni fa · Marina Abramović's "Rhythm 0" stands as a seminal work in the history of performance art. By surrendering herself to the unpredictable rhythm of audience interactions, Abramović crafted an experience that transcended the traditional boundaries of art, sparking contemplation on the vulnerability inherent in human connections.

  7. 4 giorni fa · Marina Abramović Place Your Logo Here Marina Abramović és Ulay közös munkái Egyéni munkái Született 1946. november 30-án, szerb konceptuális és performanszművész. Munkái a body art-ot, az állóképességi művészetet, az előadó és a közönség viszonyát, a test határait és az elme A