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  1. Matthias Grünewald (c. 1470 – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt.

  2. Summary of Matthias Grünewald. Grünewald is one of the most important artists in the history of Northern Renaissance Art, and one of the greatest of all German religious painters. Ignoring for the most part the rise of Renaissance classicism (unlike his famous contemporary Albrecht Dürer ), Grünewald favored the irrational and mystical ...

  3. 马蒂亚斯·格吕内瓦尔德 (德語: Matthias Grünewald ,约1470年—1528年8月31日),真名为 马蒂亚斯·哥特哈德 ( Mathias Gothardt ), 德国文艺复兴时期 (英语:German Renaissance) 画家,不过他仍坚持 中世纪 哥特式 传统,是德国哥特式绘画的最后一位伟大代表。 [1] 格吕内瓦尔德曾担任 美因茨 大主教的宫廷画师与艺术监管人,最杰出的代表作为《 伊森海姆祭坛画 》。 他常用扭曲夸张的表现手法,其风格影响了20世纪的 表现主义 。 [1] [2] 作品. 斯图帕赫圣母, 1517–1519. 雪地圣母的奇迹, 1517-1519. 嘲弄基督, 约 1503.

  4. The artist continues to be known, however, by the traditional name of Matthias Grünewald. Grünewald was probably born in Würzburg around 1475/1480. Nothing is known about his training or early career, although some authors have seen connections with the work of Hans Holbein the Elder. "Meister Mathis" is first documented in 1505 when he was ...

  5. 馬蒂亞斯·格呂內瓦爾德 (德語: Matthias Grünewald ,約1470年—1528年8月31日),真名為 馬蒂亞斯·哥特哈德 ( Mathias Gothardt ), 德國文藝復興時期 (英語:German Renaissance) 畫家,不過他仍堅持 中世紀 哥德式 傳統,是德國哥德式繪畫的最後一位偉大代表。 [1] 格呂內瓦爾德曾擔任 美因茨 大主教的宮廷畫師與藝術監管人,最傑出的代表作為《 伊森海姆祭壇畫 》。 他常用扭曲誇張的表現手法,其風格影響了20世紀的 表現主義 。 [1] [2] 作品 [ 編輯] 斯圖帕赫聖母, 1517–1519. 雪地聖母的奇蹟, 1517-1519. 嘲弄基督, 約 1503.

  6. 1470 - Aug 31, 1528. Matthias Grünewald was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the...

  7. painting Summary. Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colours, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light. Matthias Grünewald, orig.