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3 giorni fa · Four actresses, including Jean Arthur and Joan Bennett, were still under consideration by December 1938; however, only two finalists, Paulette Goddard, and Vivien Leigh, were tested in Technicolor, both on December 20. Goddard almost won the role, but controversy over her marriage to Charlie Chaplin caused Selznick to change his mind.
- $3.85 million
- David O. Selznick
- Max Steiner
- December 15, 1939 (Atlanta premiere)
5 giorni fa · Il cesto di fiori è una delle sue migliori opere d'arte attualmente nella collezione di James e Marilynn Alsdorf. Fu dipinto nel 1941 e considerato parte dell'arte latinoamericana. Questo pezzo è stato creato su olio su supporto di rame con misure di 25 ¼ pollici (64,1 cm.) sulla lastra di rame e il diametro del telaio è di 31 3/8 pollici ...
2 giorni fa · William Clark Gable was born on February 1, 1901, in Cadiz, Ohio, to William Henry "Will" Gable (1870–1948), an oil-well driller, [4] [5] and his wife Adeline ( née Hershelman). His father was a Protestant and his mother a Catholic. Gable was named Bill after his father, but he was almost always called Clark, and referred to as "the kid" by ...
1 giorno fa · Travels, Paulette Goddard and Modern Times. City Lights had been a success, but Chaplin was unsure if he could make another picture without dialogue. He remained convinced that sound would not work in his films, but was also "obsessed by a depressing fear of being old-fashioned".
Colleen Gray (1922-2015) was an American actress best known for her work in film noir during the 1940s and 1950s. Born Doris Bernice Jensen in Staplehurst, Nebraska, she graduated from Hamline University before pursuing acting.
4 giorni fa · Charlie Chaplin was among the silent film stars who worked at the nearby Astoria Studios and his wife Paulette Goddard, was coincidentally raised in Whitestone. Rudolph Valentino, who starred...
1 giorno fa · Before creating this still life, Kahlo had painted a similar piece called Fruits of the Earth in 1938. In this painting, she used fresh corn herbs and dried-up husks together to depict the cycles of life. Ironically, Frida had painted this piece for Paulette Goddard, Diego's mistress.
