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22 ore fa · Cinematographer Robert Elswit and creator Steven Zaillian intentionally crafted a unique aesthetic, avoiding familiar visuals and opting for a bold, sophisticated look.
1 giorno fa · The culmination of the entire movie is summed up in that entire shot with that character. The cinematography and the lighting are incredible. I watched it again and just direction-wise, it's insane. Acting-wise, it's insane. Lighting-wise, it's insane. I mean, Robert Elswit; the master. I can't tell you how much I've been inspired by that film.”
1 giorno fa · Posted May 16, 2024, 7 p.m. We asked Greig Fraser, Oscar-winning cinematographer to pick one favorite shot from each of his most iconic movies. The director of photography of Dune, The Batman ...
1 giorno fa · In a world of graphics and colour manipulations, Ripley is shot in stunning black and white by the cinematographer Robert Elswit. (who won an Oscar for There Will Be Blood) The cities shot through long alley shots and water ripple reflections create a sense of nostalgia and intrigue.
1 giorno fa · Ripley. De dreiging en tragedie van Patricia Highsmits romans over Tom Ripley krijgen fantastisch vorm in de serie-adaptatie van Netflix. Een adaptatie van een roman van Patricia Highsmith is altijd iets om naar uit te kijken. Over de moordende Tom Ripley, die in opdracht van een rijke Amerikaan zijn lanterfantende zoon Dickie uit Italië terug ...
4 giorni fa · With the help of cinematographer Robert Elswit and editor Stephen Mirrione, Clooney turns the CBS newsroom into a hothouse of journalistic risk-taking.” The film garnered six Academy Awards ...
3 giorni fa · However, the awe-inspiring black-and-white cinematography of Robert Elswit (There Will Be Blood, Punch Drunk Love, The Town) is what captivated me. Within the first few minutes, I was mesmerized by the noirish feel and look of a classic black-and-white print.
