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  1. 11 ott 2022 · Kaitlyn Dever as Rosaline and Minnie Driver as the Nurse in Rosaline. ... Tue 11 Oct 2022 12.00 EDT Last modified on Tue 11 Oct 2022 13.28 EDT. ... The film occasionally hits built-in ceilings ...

    • 2 min
    • Adrian Horton
  2. A 2022 American historical Romantic Comedy directed by Karen Maine.It is based on the novel When You Were Mine, itself a retelling of Romeo and Juliet.Unlike the High School AU book, however, the film moves the setting back to the original's Renaissance Italy, but keeps most of the book's modern sensibilities, including deliberately anachronistic dialogue and music.

  3. 24 gen 2022 · The film, described by ... For now, the best guess for a release date for "Rosaline" is late 2022 or 2023. However, this could change depending on filming and post-production schedules, ...

  4. 7 dic 2022 · Rosaline release date in Australia. In Australia, Rosaline is a Star Original Movie that’s set to premiere on 14th October 2022. With most TV shows and films retelling Romeo and Juliet’s story, this is the first time that the star-crossed lovers’ tale will be told from the point of view of Romeo’s former ladylove, Rosaline; only in this movie she’ll be bitter about it all.

  5. Un film con Kaitlyn Dever, Isabela Moner, Bradley Whitford, Minnie Driver, Christopher McDonald . Cast completo Genere Commedia - USA , 2022 , Consigli per la visione di bambini e ragazzi: +13. Trailer del film Rosaline (2022) regia di Karen Maine, con Kaitlyn Dever, Isabela Moner, Bradley Whitford, Minnie Driver, Christopher McDonald.

  6. 15 ott 2022 · Rosaline streaming scopri dove vedere film HD 4K sottotitoli ITA e ENG. Film. Home Film. Film al cinema. ... Serie TV 2022. Serie TV 2023. Cerca Serie TV. Migliori Serie TV. Top 20 USA. Collezioni.

  7. www.metacritic.com › movie › rosalineRosaline - Metacritic

    14 ott 2022 · Rosaline gets some things absolutely right—the casting of Dever, the use of music to lampoon genre clichés, its creative point of view—but it misses the mark it establishes for itself. It’s a misguided work that highlights the insincerities that have emerged in Hollywood’s recent charge towards “inclusion” and “diversity.”