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4 giorni fa · Above: Chris Robinson records “The Pusher” from Slash’s Orgy of the Damned. SLASH: “‘The Pusher’ is an old Steppenwolf song. Yeah, I’ve always loved Steppenwolf, but I particularly like this song, and it was a song that we used to do in Slash’s Blues Ball back in the 90s.
5 giorni fa · Alcune canzoni, come "The Pusher" degli Steppenwolf, "Key to the Highway" di Charlie Segar e "Born Under a Bad Sign" di Albert King, erano già state eseguite dai Blues Ball di Slash, mentre...
5 giorni fa · The album is a sleek collection of covers and one original instrumental. They’re reinterpreted by Slash and some are absolute standouts. The first is the opening number “The Pusher” (Steppenwolf) featuring Chris Robinson on vocals. It’s dense with a 70s vibe but with modern stylings and production.
1 giorno fa · The album explodes with a cover of Steppenwolf’s “The Pusher,” featuring Chris Robinson on vocals. It’s like stepping into a time machine – thick with that signature 70s groove but polished with modern production that makes it shine. Robinson belts it out like a man possessed, perfectly capturing the era’s swagger.
4 giorni fa · Alcune delle canzoni, come “The Pusher” degli Steppenwolf, “Key to the Highway” di Charlie Segar e “Born Under a Bad Sign” di Albert King, erano state eseguite dai Blues Ball di Slash, mentre altre, come “Living for the City” di Stevie Wonder, erano tra i preferiti di lunga data di SLASH.
4 giorni fa · In a world where people seem to be forgetting their history, this album truly stands to remind many the magnitude of these composers and what they meant. This in mind, Orgy of the Damned does not wait to take hold of you as the harmonic sound of guitar feedback leads you right into the smooth unmistakable melody of Steppenwolf’s “The Pusher
4 giorni fa · Chris Robinson singt „The Pusher“ (Steppenwolf), Iggy Pop „Awful Dream“ (Lightnin’ Hopkins), das sind die Highlights – beide klingen genau so, wie sie eben immer klingen. Um Ambitionen geht...
