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18 gen 2017 · NYT Critic’s Pick. By Ben Brantley. Jan. 18, 2017. There’s freedom within captivity in the exhilarating production of Shakespeare’s “The Tempest” that is wreaking poetic havoc with an...
It seems that Donmar Warehouse’s objective when staging this play was to demonstrate how power structures can exist in locations separated from society, namely on an island and in prisons. Unfortunately for the Donmar Warehouse, all the pieces in the production’s vision did not completely come together to highlight something particularly ...
23 nov 2016 · Review of The Tempest at the Donmar Warehouse's King's Cross Theatre. The tent village directly behind King's Cross station has been expanding exponentially. It started off as one tent that's home to two shows - The Railway Children and In the Heights.
23 nov 2016 · “The Tempest,” its final installment (now at the Donmar Warehouse and due at Brooklyn’s St. Ann’s Warehouse in January), reflects on the politics of imprisonment, and Harriet Walter’s ...
27 nov 2016 · The Observer Theatre. This article is more than 7 years old. Shakespeare Trilogy review – Phyllida Lloyd’s searing triumph. Harriet Walter is the linchpin in the Donmar’s momentous,...
- Susannah Clapp
11 gen 2018 · Helen Maybanks. Henry Hitchings January 11, 2018. The Tempest ****, Julius Caesar *****, Henry IV **** The Donmar Warehouse ’s invigorating all-female Shakespeares, directed by Phyllida...
6 ott 2016 · So the majority of people seeing The Tempest will only see The Tempest and that’s why I’m writing this review now. For this enterprise, the Donmar has decamped to the King’s Cross Theatre and a well-designed temporary space there (sightlines from the back row – F – are fine and dandy) with the audience seated on all four ...
