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The Metamorphoses portrays love as a destructive passion. Often, a character in love is afflicted by a passion that causes them to betray their family, kingdom, or values. For instance, when Scylla falls in love with Minos, her kingdom’s enemy, she betrays her father and her kingdom to be with him. Similarly, when Myrrha falls in love with ...
5 feb 2020 · One recurring theme of Metamorphoses is that of Love. That includes personal love or as the personified deity, Amor/Cupid. In Ovid’s work, the gods were continually humiliated and confused by Love, who was usually considered to be a relatively insignificant minor god.
And stronger love had sure, at length, prevail'd: But some faint hope remain'd, his jealous queen Had not the mistress through the heyfer seen. The cautious Goddess, of her gift possest, Yet harbour'd anxious thoughts within her breast; As she who knew the falshood of her Jove; And justly fear'd some new relapse of love.
Love and Destruction. The Metamorphoses portrays love as a destructive passion. Often, a character in love is afflicted by a passion that causes them to betray their family, kingdom, or values.
LOVE IN OVID'S METAMORPHOSES 267 pointedly labels the "first love" of Apollo (Met. 1.452 ff.). The god will have many, and the failure of this one fazes him only briefly, but his beloved Daphne has her human existence terminated in this episode. This is a relationship that is doomed from the start, by Cupid's malicious will.
SYNOPSIS. Just a few kilometers from Rome, the sand dunes of Sabaudia, marsh and woods of the Circeo and the Arpino waterfall become the backdrop to mythical transformations: Callisto metamorphosizes into a bear, Jupiter changes into Diana, Glaucus transforms into a sea monster and the nymph Salamachis merges forever with young Hermaphroditus’ body.
