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Vilmos Zsigmond ASC (Hungarian: [ˈvilmoʃ ˈʒiɡmond]; June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement.
Vilmos Zsigmond è stato un direttore della fotografia ungherese naturalizzato statunitense. Ha vinto l'Oscar alla migliore fotografia per il film del 1977 Incontri ravvicinati del terzo tipo, venendo nominato in altre tre occasioni: nel 1979 per Il cacciatore, nel 1985 per Il fiume dell'ira e nel 2007 per The Black Dahlia.
Vilmos Zsigmond. Along with László Kovács, a fellow student who fled Hungary in 1956, Zsigmond rose to prominence in the 1970s. He is known for his use of natural light and vivid use of color on features such as The Long Goodbye (1973) and Close Encounters of the Third Kind (1977).
- January 1, 1
- Szeged, Hungary
- January 1, 1
- Big Sur, California, USA
5 gen 2016 · Vilmos Zsigmond, a Hungarian-born cinematographer who helped shape the look of American movies in the 1970s, ’80s and beyond, among other things lending a hyper-real glow to the arrival of space...
BIOGRAFIA DI VILMOS ZSIGMOND. Direttore della fotografia. Insieme a Laszlo Kovaks fotografa l'invasione sovietica in Ungheria nel 1956. Vende le immagini alla CBS e riesce a fuggire negli Stati...
6 gen 2016 · Vilmos Zsigmond: the cinematographer who transformed how films look. Along with his lifelong friend, László Kovács, the late Hungarian was a master of lenses and light, and their combined ...
Cinematographer Vilmos Zsigmond, also formerly credited as William Zsigmond, was nominated for four Academy Awards for Best Cinematography (Close Encounters of the Third Kind, The Deer Hunter, The River, and The Black Dahlia), winning once for his work on Close Encounters of the Third Kind.
