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Claire Keane (born March 1, 1979) is an author and illustrator and visual development artist who contributed to the Disney films Enchanted, Tangled, Wreck-It Ralph and Frozen. She is the daughter of Disney animator Glen Keane and the granddaughter of cartoonist Bil Keane , creator of the comic strip, The Family Circus [1] and Thelma ...
In 1975, during the production of his debut film, Keane married Linda Hesselroth. They are the parents of design artist Claire Keane and computer graphics artist Max Keane. Keane has been cited among artists with aphantasia, a condition characterized by an inability to form mental images. He is a Christian. Filmography
- 1973–present
- Claire Keane, Max Keane
Actress: Homeland. Claire lives in New York with her parents, twin sister and younger brother. She started her acting career at age 3 when she booked her first commercial. At age 5, Claire went on to play LuLu in the original cast of Broadway's Waitress the Musical. She then landed the role of Franny of Homeland.
- Actress
- 9 min
Claire Keane, née le 1 er mars 1979 à Santa Clarita, aux États-Unis [1], est une illustratrice et une Visual Development Artist, qui a contribué à différentes productions Disney, dont Il était une fois, Raiponce, Les Mondes de Ralph et La Reine des neiges.
- 1 er mars 1979 (45 ans)Santa Clarita
- Visual Development Artist
- États-Unis
Mini Bio. Claire lives in New York with her parents, twin sister and younger brother. She started her acting career at age 3 when she booked her first commercial. At age 5, Claire went on to play LuLu in the original cast of Broadway's Waitress the Musical. She then landed the role of Franny of Homeland.
Art Department: Puss in Boots: The Last Wish. Claire Keane was born on 1 March 1979 in Santa Clarita, California, USA. She is known for Puss in Boots: The Last Wish (2022), Tangled (2010) and Enchanted (2007). She is married to Vincent Rogozyk. They have two children.
6 dic 2023 · Left, by Michael Giaimo; right, by Claire Keane. Left, by Bill Schwab. Peter Del Vecho (produttore): «Nessuno riusciva a immedesimarsi davvero in Elsa, perché non era abbastanza umana.
