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Rupert Gregson-Williams (Chichester, 12 ottobre 1966) è un musicista e compositore britannico che lavora in campo cinematografico e televisivo. È fratello di Harry Gregson-Williams . Fa parte del team di compositori della Remote Control Productions di Hans Zimmer .
Rupert Gregson-Williams is a British composer, conductor, and record producer, best known for his film, video game, and television scores. His filmography includes Hotel Rwanda, for which he was awarded the European Film composer award, Hacksaw Ridge, Wonder Woman, Aquaman, Over the Hedge, Bee Movie, Abominable, Back to the Outback ...
Rupert Gregson-Williams (* 1966 in England) ist ein britischer Filmkomponist. Er ist der Bruder des Filmkomponisten und Dirigenten Harry Gregson-Williams. Leben. Seine Karriere als Komponist begann Rupert Gregson-Williams in den späten 1990er Jahren. Zu Beginn seiner Karriere arbeitete er vor allem für das Fernsehen.
- 1966
- Gregson-Williams, Rupert
- britischer Filmkomponist
- England
Rupert Gregson-Williams ( Chichester, 12 ottobre 1966) è un musicista e compositore britannico che lavora in campo cinematografico e televisivo. È fratello di Harry Gregson-Williams. Fa parte del team di compositori della Remote Control Productions di Hans Zimmer. Ha studiato al St John's College di Cambridge e successivamente al Lancing College.
Rupert Gregson-Williams was the composer for Aquaman. Gregson-Williams previously wrote the score for Wonder Woman, the fourth film in the DC Extended Universe. In an interview with The Hollywood Reporter, Gregson-Williams stated that Aquaman was his most ambitious film to date.
- 2018
- Soundtrack
- December 14, 2018
- Rupert Gregson-Williams
Rupert Gregson-Williams was born on 21 February 1967 in Tonbridge, Kent, England, UK. He is a composer and actor, known for Wonder Woman (2017), Hacksaw Ridge (2016) and The Crown (2016). He has been married to Emma Jacobs since 1996. They have one child.
Speaking with composer RUPERT GREGSON-WILLIAMS in this exclusive conversation about his musical approach to CATHERINE THE GREAT, we discuss developing the composition, musical influences, modulation, and instrumentation, finding that balance between Catherine as a woman and her deep love with Potemkin and Catherine as an empress building the Russian Empire, finding the humor of Potemkin and ...
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